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Penumbra Online
Penumbra Online
Summer 2024
"Water, Water, Every Where"
Table of Contents
***Pieces marked with three asterisks have been chosen as staff favorites.
Art
Penobscot Bay
When The Flood Comes
Sealight (X)
Awaiting Odysseus
A Delicate Balance
Poetry
Not a Drop to Drink
Plunge
STONE WITH FOSSIL SHELLS
The City
Epiphany
The Ocean's Edge
Umbrella for Two
But I Worry
Selkie
Drought II
Annalist
Quicksand
***TSUNAMI, LAUPAHOEHOE, 1 APRIL 1946
Balm of Water
Driving California's Route 1
The Last Iceberg
To Be Ocean Water
The Consciousness of Sandstone
The Traveller
Mermaid Memory
Feeding the fishes
My Friend, Pacific
Drums of Thunder
Heavy Weather Downtown
How I Always Picture You Drowning at Sea After The Mermaid You Left Me for Drumps You
Hydros
My Surgeon at the Pool
The sea in your palm
Drinking Wasp
Nasty
Beach
gave her a song
Domestication of the Transient Mermaid
At Red Willow Canyon Mouth
Self-portrait as the water cycle
A Picture Taken At Morrison Creek 2008
Fiction
***I'll Be Waiting for You Here
Sorrow of the Siren
Little Feet
Love Surfaces
Needing to Go
Anadromous
Non-Fiction
Crazy Water
The Waves
River
***Here I am carried, here I descend
***TSUNAMI, LAUPAHOEHOE, 1 APRIL 1946
by Mantz Yorke
1: Destruction
Excitement: the village school about to open,
but the children are chasing the sea
as it retreats a long way from the rocky shore,
exposing sand and leaving fish flapping in pools.
But the sea is teasing them, coming back
and retreating, the delighted children squealing,
following the tideline as it flows and ebbs.
As if tiring of the game, the sea becomes calm,
but it’s pretending: it is gathering itself
for the big one – not a Hokusai great breaker,
but a long, relentless surge set in motion
by a huge earthquake half an ocean away.
Playfulness turns into brutality: the surge
this time keeps on coming, coming, coming,
smashing the school and the teachers’ houses
against the bluff. The children who know too late
they should have fled are tumbled, screaming,
drowned in the seething violence of the sea.
2: Survival
You were lucky the sea’s swirl
swept you close to floating wood –
perhaps a bit of clapboard
from the wreckage of the school
or the teachers’ residences,
but enough to make a raft for you
and the two exhausted teens
you were able to haul aboard.
A spotter plane saw you on the raft
and dropped a yellow inflatable
while the current carried you north-west
as the sun declined. Lucky again:
in the dawn light forty miles up the coast,
not far from Big Island’s northern tip,
a girl on the cliff spotted the yellow
and got three swimmers to bring you in.
You might have made it to Maui,
nearly a hundred miles away. If not,
you’d have had little chance of rescue:
the inflatable would have been left drifting
across the vastness of the Pacific,
perhaps to fetch up on a Russian shore
as nothing but a garish piece of flotsam
swilling in the shallows, nobody on board.
Quicksand
by Mantz Yorke
Creeping across sunlit sand, the sea
is surreptitiously burying my feet. Warm
to begin with, the flow is turning colder
as the tide continues its advance.
I can no longer pull my feet free of the sand:
I shout and wave, but folk don’t understand
I’m trapped. The water clamps its cold
around my chest, reaches my chin, my nose.
I wake.
The room is bright, as if snow has left a covering:
sheets, pillow, wall, and the curtains drawn
around the bed are dazzling white. I look down:
beneath me a body lies at rest, pallid and inert.
***I’ll Be Waiting for You Here
by Mark Ifanson
Hi Milo. How are you feeling today?
What?
Hi Milo. This is a very nice beach, isn’t it?
Who is this?
How does the sand feel between your toes?
It’s...It’s OK I guess. Feels pretty good, actually. Who are you?
Take a look at your legs, Milo.
They’re all cut up, and burned. What happened to me?
You’re OK now Milo. Can you feel the cool water on your wounds? How does that feel?
It stung at first, but now it feels soothing. What’s going on here?
You’re walking on the edge of the surf on a deserted beach. It’s very scenic, by the way.
And who are you?
I’m the seashell you picked up off the beach, Milo. Let me ask, why did you pick up a seashell and hold it to your ear like you did just now?
I did it so I could hear the ocean, I guess.
Right. You are walking along the beach, with small waves breaking at your feet, and yet you picked up a seashell to hear the ocean when the ocean
is all around you. Why would you do that?
Well, I don’t know, really. When you put it that way it sounds pretty stupid doesn’t it?
Not stupid Milo, just instinctive. You did it without thinking.
Sorry.
Nothing to be sorry about. It’s just something you did.
There’s no one else here?
Right, it’s just the two of us, Milo.
And we are where?
We are at the beach. A beach from your memory.
Why?
Because we are talking about it. So, we are here.
Your answers are vague.
Sometimes, yes. I’m happy to tell you what I know, except when I think you need to figure things out on your own.
Am I dead?
Do you feel dead?
How does dead feel?
I don’t know, I’ve never been dead. But that’s why I was asking you how you feel. How do you feel?
I feel... OK, I guess. So, I’m dead?
Look at your chest, Milo, and tell me what you see.
I’m wounded. Looks like a bullet entry wound, low in my chest. But it doesn’t hurt. Some water has splashed on it and it’s soothing. So I’m dead.
Was I in a war? Was I on the right side?
Yes Milo, you’re dead. And you were in a war, and it does not matter what role you played, because you were mortally wounded, and now you are
here. There are many wars in your world with many sides, with combatants and non-combatants, and everyone thinks they are on the right side.
Once you are dead it doesn’t matter anymore.
And what is this, heaven?
Does it feel like heaven?
How would heaven feel?
Tell me, how do you feel?
I feel OK, I guess. Content. This is a nice beach, but I don’t think it’s heaven. No angels, no music, no overwhelming feelings of joy. Is this hell?
What do you think hell would feel like, Milo?
Pain. Horrible pain. So no, I don’t think this is hell. Maybe purgatory?
What would purgatory feel like, Milo?
I don’t know. Purgatory is just a word for me; I’m not very religious and haven’t given it all that much thought. So, I guess I’m just here, is that it?
Yes, you’re just here.
Are we going someplace?
Would you like to go someplace, Milo?
Am I going to be reincarnated?
Would you like to be reincarnated, Milo?
I don’t know. What would I come back as?
What would you like to come back as?
I’m not sure. Do I really have a choice?
No; it’s already determined. And no, before you even ask, I can’t tell you.
Can’t, or won’t?
Won’t. Here’s why. Right now you are anxious because you don’t know what you will come back as. That is unfortunate. But if I tell you, then you
will focus on missed opportunities and become much more anxious about all the other things you won’t come back as. You’ll just have to trust me
on that, sorry.
What will happen to you?
I’m a seashell. I’ll stay here and become part of the beach as wave action slowly grinds me into sand.
And then what?
I’ll be here until you come back.
After I die again?
Yes, Milo, after you die again.
So, I’ll come back to this beach and you’ll be a seashell again?
Probably not. When you come back it will be in the context of a very pleasant memory from your most recent life, and I will appear as a component
of that memory. Then we will have a conversation like this again, with you asking questions as you prepare for your next life.
Will I remember any of this? Will you?
You will not consciously remember any of this, but some of this experience will be deep in your subconscious. I will remember everything.
What will you do while I’m gone?
I’ll be here, waiting for you to come back.
Just me? It could be a long time before I come back. Don’t you have others you do this for?
I’m here only for you. I remember everything for you, so you don’t have to. It would be too much for you to process between lives.
That seems very sad. Lonely, even.
That is very empathetic of you Milo, thank you for that. No, I won’t be lonely, I’ll have all your prior lives to reflect on until I see you again.
So...You are me, somehow?
Yes. I am so glad you figured that out, you often don’t get that far before you leave me. I’m the part of you that stays behind.
The water is all around me now. It’s warm. Shadows. Noises. There’s a commotion of some sort; I’m scared.
Please don’t be scared Milo, you are about to start over. Safe travels, my friend. I’ll be waiting for you here.
***Here I am carried, here I descend
by Hannah Levy
“All water has a perfect memory and is forever trying to get back to where it was.”
- Toni Morrison
“Have you also learned that secret from the river; that there is no such thing as time? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.”
- Hermann Hesse, “Siddhartha”
In one of my earliest memories, I’m standing in a shower. Hot water trickles down my arm. I’m watching my hand, fingers outstretched. This is what magic feels like: rivers flowing out of my body, like the rivers flowing out of Eden. I return to this visual again and again and again throughout my life. The open palm, the water. That quiet feeling of power.
…
What did it feel like to step into a river for the first time? A bewitching pull, a wet grip around my ankles. A sensation entirely distinct from the forward-backward lull of ocean waves, the circular swirl, the return to shore. A different energy, a stirring, an awakening. A promise of voyage. An intoxicating, Earth-shaping potential pulsing through the current.
A river is many things because a river moves through many places. Constantly changing, adapting. Even the concept of a river defies definition. Geographer Nick Middleton writes, “Our friend the Oxford English Dictionary has it that a river is ‘a copious natural stream of water flowing in a channel to the sea or a lake, etc.’ This definition serves for many rivers but not for all. Rivers in very cold places do not flow all of the time. Neither do most rivers in deserts.” The truth is, many rivers live and die and are reborn. In this way, a river’s absence can say as much
as its presence: I am here when I am not here. Death is an ephemeral state.
Rivers are world-makers, sculptors. A cradle for civilizations past, present, and future. Language, ideas, and art traveling upstream and down. Creative expressions of source and spirit. Pieces of the sky transformed, life bubbling up from the spring. They are threads that weave earth to sea, ropes that bind, natural arteries that tie us to our land. But rivers hold contradictions: they connect and separate all at once. Rivers are borders, boundaries, obstacles between freedom and imprisonment.
Spiritually, river water is associated with liminal spaces and expanded states of consciousness. In religious texts, rivers are frequently the birthplace of profound visions, a sacred arena for journey work, for initiating flow, for metamorphosis. They are thresholds, mythic corridors to
lands unknown. Taschen’s Book of Symbols refers to river crossing as “a transition and a metaphor for the possibility of traveling between the mind’s two shores, the conscious and familiar shore and the unconscious and farther shore.” In Greek mythology, the land of the dead
was surrounded by five rivers: Acheron (the river of woe), Cocytus (the river of lamentation), Phlegethon (the river of fire), Lethe (the river of forgetfulness), and Styx (the river of hate). Five rivers, five fingers, five pathways snaking through the underworld.
…
In therapy, I talk about the rivers in my body. The one hundred billion tiny rivers of neurons in my brain, the rivers of electricity that allow me to think and walk and breathe and swallow and feel everything so deeply. These are rivers only I can travel, underground rivers, ones that cascade inward. Rivers that coil into themselves, a watery ouroboros. Thoughts on loop, fears that linger. Rivers I want to control, rivers I want to run dry.
There are rivers that only certain people access, that only certain souls attempt to explore. Rivers shared between us like redwood tree roots and mycelial ribbons, intertwining in a poetic mycorrhizal dance. Calling out to each other for attention, for sustenance, for healing. These are
sensual rivers of salt and sorrow, of euphoria and ecstasy. They flood like the Nile: a lush over flow, a trail of fertile soil in their wake.
And then, of course, there are rivers of blood, ferrying life into and out of my heart. Ancestral rivers, channels brimming with shame and guilt, powerlessness, terror, otherness, Jewishness. Fast-flowing rivers that lead to co-dependency and addiction and mental illness. I look at my
six-year-old and pray that these rivers are shallow in her, that these creeks evaporate with time, with gentle practice. She tells me there is a badness inside of her that she wants to scratch away, and I think about how the word “river” can be traced back to its Proto-Indo-European roots, from *h₁reyp- meaning “to scratch, tear, cut.” I think about how deep inside a river’s undulating, serpentine body there is a fierce, carving force. Rivers can be violent, desperate, can plunge and surge to form waterfalls and whitewater rapids. Rivers are wild and willful. We build our dams but rivers yearn to be free.
…
It’s August. I am mostly naked in the emerald water of the Yuba River, feeling the current’s strength as I cling to volcanic basalt and granite, my body pushing up against gravity. The water touching my thighs comes from the crest of the Sierra Nevada, twisting and winding 100 miles,
descending 7000 feet in the process. My shoulders tingle in the afternoon heat. I lift my hand out of the water and watch tiny drops fill with sunlight before they fall off my fingertips. I feel an old longing inside of me rise up. I want to be carried. I want to descend. I want to accept movement, change, impermanence. I think about this river’s patience, its persistence, its wildness. Rivers shape the earth just by showing up, by existing, by finding their way. And I think, for the first time, maybe I can do that, too.
Penobscot Bay
by Holly Willis
Medium: Photography
Not a Drop to Drink
by Rebecca Brothers
The run-off from the strip mine
Trickles into our taps and Sunday communion
We don’t drink wine—
We pass thimbles of purple Kool-Aid
Around with the crackers.
This is our land, spilled for coal.
We drink and remember the Company Store
And debts
And then the vacant lot
Where all the coal money was burned.
We don’t even look for the hellbenders
Anymore, big slippery salamanders
That chased the crawdads in our creeks.
They were blinded by the orange acid run-off
Before the mines ran us off our mountains,
Then laid them flat.
Us flat on our backs, gasping for money,
Without a drop of water that’s fit to drink.
Plunge
by Erin Robertson
you plunge in
with a sinuous bend
arms arcing
toes pointed
eyes closed, trusting
you hinge smoothly
angle down
into the cool light
graze the rough floor
exhale bubble garlands
a clear, round, sparkling trail
glide flat as a ray
flying along
hugged by gentle pressure
on all sides and surfaces
pulled skyward by the
oxygen stored in your own trunk
and here you emerge
crown
temple
sleek
breaching
feeding the trees your
spent breath
filling your chest with
another serving of
lightness and air
finally opening your dripping eyes
taking in the light and blue
the shimmering gold
nets of light
the smooth permeable edge
between out and under
the water already departing your skin
ascending the sky
making the rain
STONE WITH FOSSIL SHELLS
by Stephen Allen
I
Call it a fetish, a talisman, a charm.
I picked it up, one rock from the beach,
chosen to be skipped away, my arm
crooked back, until I saw the fossils, each
delineated clearly. The sun was warm,
the water calm, all things seemed at peace,
nothing to suggest a hint of harm.
I looked up from the stone and to the sea.
II
It still reminds me of the sea. A spill
of papers, tchotchkes, other talismans
crowds for space upon my desk, but still,
this simple stone finds ways into my hand.
Fingertips may wear away the frills
and curves with time, like oceans on the land,
but that will take some eons. And so, until
I lose it, I’ll enjoy the fruits of chance.
III
On the beach, did it wait for me
for how many thousand years? Or did it wash
up in a storm in recent memory?
New shells still fall beneath the swells and froth
and settle into unseen futures, free
for geology’s rule. The waves will splash
ashore a million years. I will not see
what they will bring or who will meet the crash.
Crazy Water
by Michael White
The only school in our district that had a pool was John Evans Junior High. It was a circle school, meaning that it consisted of “pods” that orbited a center “pod.” This of course led to no end of confusion, but it was designed and built in the 70s when such high ideals seemed innovative and realistic and cool. Now it was just an asbestos filled hulk looking like a nest of alien spaceships smacked down in the middle of a neighborhood full of rotting tract houses that must’ve been pretty fancy in 1965, but now they all seemed from another time, another era, like
John Evans Junior High itself.
But the pool.
It was a brick outbuilding connected to the gym “pod” by temperamental doors that didn’t always turn easily for my master key. Every night at 11:30 I would head from my office in the middle of nowhere, speeding down the isolated first avenue road while listening to Art Bell’s weird stories about pyramids on Mars.
The crickets were still audible, but there was a sharpness to the air, an unsubtle hint as to what was coming. Yet there was also a sliver of summer left too, a heaviness to the sky, which sparkled with stars. It smelled like mown lawns and dead leaves, like fireplace smoke and swamp coolers. It was like being between two worlds.
I had been feeling between two worlds lately. Adrift and ambivalent, I struggled to find some kind of emotional perch. I felt such a growing distance from my wife, which I pushed aside as long as I could. It was like every day she grew less familiar to me. And the person that she became was not a person I liked. I told myself, if only I could fall in love with her all over, we could carry on. We had these times before in our 26-year relationship. Every marriage had its dips and valleys, but I had come to the point where nothing short of adultery was a deal breaker. We had invested so much into it; I couldn’t see either of us throwing it away.
So, it had disturbed me one night when during dinner, my ten-year-old son said apropos to nothing, “Are you guys going to get a divorce?”
I was shocked and reassured him, “No of course not! That will never happen! Why would you ask that?” I looked at my wife for support but her face was blank. He just shrugged. My wife remained silent.
Suddenly there was a bright light in my eyes and someone was tapping on my window. It was a cop. I rolled my window down and he looked at me, his expression a question, waiting.
“Hi officer. I’m the night foreman for the school district and I’m just making sure my people leave when they’re supposed to. There’s been some monkey business going on...” I trailed off and offered him my school district ID badge. He softened.
I could see the crew exiting the school and making their way to their cars, looking my way, watching the police leaning into my side window. I knew they knew it was me. Their boss.
“Well, you know I drove by and saw you just sitting here so I had to check it out.”
“Oh of course.”
“Have a good night.”
I watched him walk back to his cruiser and drive away. My heart was pounding from the adrenaline surge. When I finally looked back toward the school the night crew had gone. The parking lot was empty and looked lonely with its row of security lights making bright pools on the asphalt.
I walked in circles from “pod” to “pod” in the semi darkness feeling my way having walked this catacomb like stroll a hundred times before. It was like a giant combination lock. So many steps right, so many left and so on. The school was all circles and the classrooms were like pieces of a pie. I had to travel taking right turns or I would end up in a gloomy maze of round brick walls and dingy lockers. But I knew the school well and was used to traveling through dark empty school buildings at night.
It was my job.
I got to the gym and walked across, my footsteps echoing just like in the movies. The silence was big. The gym had a beautiful round wooden roof, like the roof of some great lodge, the boards of wood latticed into a geometric design that was really out of place for such a weird
funky building. I always made a point of stopping mid gym and appreciating it, communing with it as if it were something sentient, patient, alive.
The chlorine smell hit me as I entered the pool, the warm wet air and the hum of the pumps and a gurgle from the edge. I went into the locker room and got ready. I put my clothes in a locker and hung my tie on a hook and put on my trunks. I couldn’t bear to walk on the floor barefoot, but I did anyway. I went to the breaker box and with a flip of a switch I plunged the entire pool building into pitch blackness. It was a darkness that only a windowless room could achieve, a darkness so complete that it voided any sense of direction, time or place. It was a tangible darkness, heavy and claustrophobic.
I immediately entered this new world. I felt my way to what I hoped was to the edge of the pool, my heart pounding my senses keen. The sounds of the room seemed intensified; rhythmic and foreboding. I had no way to orient myself. I tentatively stuck my foot out and down and felt water, the edge of the pool.
I stepped up, and I jumped.
Down down down into the blackest black, completely disoriented. I had no idea what was up or down or sideways. A stab of panic hit me as I touched bottom; I was in the deep end. Twelve feet. I lunged up, my lungs starting to burn, the panic stabbing again, it was taking forever to find the surface. Could I even tell when I came up? Shouldn’t I have come up by now?
Then I came up.
The room echoing with my heavy breathing.
This was my new fall ritual, something I had fallen into by degrees. It was scary and fun and a great way to fine tune my psychic balance. It was also dangerous and foolhardy. But it took my mind off of the uneasy feeling I’ve had lately, and the strong dreams which followed me around like little clouds.
In the most recent one, I was looking at my books in the bookcase frantically trying to choose which ones to take with me. I was packing in a hurry, making snap decisions about what to take and what to leave. What to take and what to leave.
What did that mean?
I would swim in the deep dark, being sure to always keep my arms in front of me so as not to run into the wall. I kept running into it anyway. I couldn’t swim like this for more than fifteen minutes before I had to get out. The psychic energy it took was depleting, and the darkness and the water had a way of pulling at something very deep and familiar and very dark and dangerous in my soul. I was nowhere and everywhere when I was in that pool, alone and hiding in the blackness, the vastness of a universe of dark.
The City
by Diane Funston
fit in the palm of her hand
like she owned it.
She wanted to consume the whole area,
swallow the beer
lick the custard
gobble the fish fry.
Or, with far less rationally,
suck down the waterfalls
both Genesee and Niagara
drag Wegmans to California to show
them how it’s done
strip naked downtown in the rain.
But with a bit more linear thought,
she absorbed the scent of rain
bit into the freshest NY apple
opened her pores to the cleansing humidity
steeped cinnamon sticks in pressed hot cider.
After weeping for the past,
and she wept enough lately to fill the Erie Canal—
she remembered her one and only
the fragrance of her year-round garden
her dog’s head asleep on her thigh
the promise of the new puppy
the warm sun on her achy joints.
So she reached out
picked up her own small Western town
in the Sacramento Valley
held it to her heart, felt it enter
strong memories unclogged
her arteries of longing
allowing her to bloom freely
without the icy winter of remorse.
Epiphany
By Paul Hostovsky
Maybe this is a guy thing but
I had an epiphany the other day
while standing in front of the urinal—
I was peeing and looking straight ahead
at the Do Not Spit Into The Urinal sign
and I was trying to think of the word injunction—
but all I could think of was Thou Shalt Not
and why on earth, and where on earth—
when suddenly, as though without my own permission,
I spat into the urinal—
as though just the thought of spitting,
the merest suggestion of it,
was contagious as a yawn.
And that’s when I remembered (I was still
peeing) what they say about the body
being mostly water,
and what they say about water
always journeying toward itself—fog to mist,
cloudburst to stream,
stream to river and river to sea—
and I thought to myself, there is no
injunction and there is no commandment
that can stop the water from journeying toward itself.
And I spat again, and then I flushed
and walked right out of there with my epiphany
sort of swirling around in my head.
The Ocean’s Edge
by Chrissy Banks
And when I no longer knew who I was,
when I was done with circles of thought,
when I was sick of myself and pleased
no-one, I curled up and slept.
And in that sleep I was a baby docked
on a hospital shelf, crate for a cot, I was
a baby dropped from the top of a cliff
by a pantomime mother.
And in that sleep I was a baby tossed
by waves and a mother under a whale’s spell
swimming for dear life through a sea
of body parts, to save her child.
And in that sleep I crossed the sand
in a long white dress. At ocean’s edge,
I sang a shell’s song to my baby girl
as she lay sleeping in my arms.
And when I woke I was no longer lost.
A mother and a trembling child, a baby
who’d survived, a woman lined by years,
I was all of these, I knew them all.
Umbrella for Two
by Judy Clarence
In Oregon we had no use
for umbrellas. It rained every day,
drizzle that curled
our hair and made us smile.
Umbrellas utilize one hand,
leaving only one for schoolbooks,
bags, a hand to hold
a chocolate bar while scarfing,
to reach for a hanky when the cold
made the nose run “so fast
I can’t keep up with it,” said Leola
as she trudged toward school through the mud.
And the thing about umbrellas is:
impossible to share. Try it. Neither
of you is covered. Each girl’s
curls turn curlier, drops
seeping down her neck and under
the white Peter Pan collar.
One spot, and only one, stays dry.
The space between.
A Delicate Balance
by Kristina Solomita
Medium: Oil Paint on Wood Panel
Sorrow of the Siren
by Kristina Solomia
I’m trapped between two worlds, never completely submerged, yet unable to resurface. I linger in the in-between, watching from my secluded cove as fish and humans secure themselves to their halves of existence.
I amuse myself by observing the humans who embrace the water without ever becoming part of it. They splash, ride their boats, and don their scuba gear to experience a fraction of my entire life. But at the end of the day, I find myself disconnected from them as they can choose to lift
themselves out and return to dry land.
I tried to find a connection with the creatures below. We both adorn fins and scales. We both spend long hours beneath the water. We both exist in a multitude of colors.
But they do not think like me. They do not feel like me, cry like me, or yearn for connection like me.
I’m living an isolating existence between two worlds. My siren song remains silent as I search for a serenade within myself. An enigma, a myth—let me blend in but never truly belong to either side.
But I Worry
by V. Bray
Water is your guide,
the soma instructor says.
Every organ that makes up my body is mostly water,
running up and down my spine,
clearing the lymphatic system,
bathing my tongue in an enclosed hot tub.
I imagine blowing up a beach ball:
my cheeks puff out and deflate in a whoosh.
Over time, she says, this will create an opening.
I imagine waves filling the void,
watch how they spread,
how they fill my body with liquid,
meandering like a river with tributaries,
branching blood vessels.
But like a river pushing silt across its banks,
the ocean shifting dunes,
a waterfall shaping rock,
how much space will this water carve in me?
Will the water wear down my stories,
smooth out their jagged edges,
transform them into gleaming river rock,
and calm the whitecaps
of my stormy waterway?
Each day will it condense my stories,
deconstruct them until they are mere pebbles
flow over each other into this moment?
Selkie*
by V. Bray
A dark gray seal’s head slips up
through the water, reminding me
of who I really am.
My husband, a sturdy farmer, leads me
carefully from the ocean up the rocky beach
back to the cottage where I listen to whispers
sprinkled through the salty mist.
My days are hazy,
covered with a caul-like film.
I dust to clear my mind
and reach far back into the chimney,
my fingers brush thick, smooth skin
folded and tucked in
between stone crevices,
hidden from memory.
As I remember, my grief flows.
I carve images into slate sea cliffs,
drawings of kelp and fish,
reminders of who I am, until my child is grown.
I will never again forget where I came from,
all I sacrificed for this house on stilts
where the tide rushes in with the moon
daring me to return to my true home.
*Selkie: Mythological beings that can change from seal to human form when they shed their seal skin on the shore. A common selkie tale is about a human man who steals a female selkie’s seal skin and keeps her for his wife. In most tales the selkie finds her seal skin and leaves her human family.
Drought II
by Whitney Waters
Every week a new constellation
of rock, stark against the sluggish river,
sky a smudge of haze, elemental
peach, and still, I don’t hate these warm days,
this trickle of sweat down my shin, money
in my bank account, most weeks, a perpetual
tickle in my throat like a long pull
on a cigarette. The summer we fell in love,
I swam with a woman whose eyes
were galaxies. I gripped the frayed rope
knotted around a branch and swung out
above the water’s surface then back
to the ground, feet arching toward
a root. I swung once more and then—
release, the river so cold
I had to hold my breath to cross
to the opposite bank. Sharp spark
inside my ribs. On her truck’s tailgate,
we sipped from bottles, ate soft, funky cheese,
lacey crackers— the fancy kind, while I told her
about you. When she kissed me, her lips were
a reservoir. Without the rain,
there is an abundance of sunshine. Like the stars,
I have spent so much energy becoming.
The Waves
by Kresha Warnock
On my seventy-fifth birthday, I am sitting in a guest house in Oregon, looking out over a calm Pacific Ocean. I came here to ask the water to rest
my soul after the pain and upheaval of the past year, a year where I have been overwhelmed by the outside world, as human cruelty and violence
envelop the daily news. This morning, I avoid my Twitter feed and, instead, watch waves lap up on the beach. I am relatively mellow following days
of walking the sandy Oregon shore, breathing the salty air, feeling my leg muscles harden as I trudge through the loose sand, watching the tide
come in and out.
Calm is fragile. When I arrived, I was alarmed that the instructions in the book for guests began with explicit directions on what to do in case of a
tsunami. “There is only a fourteen percent chance that a tsunami will take place in any fifty-year period,” we are reassured, as the image of a
deadly wave crashing across the porch of the little house fills my imagination. “Get in your car and drive to higher ground” are the instructions
should the ground shake and the mighty wave loom up on the near horizon. Even the power and beauty of the sea are not consistently reliable to
wipe away the legitimate fears and pains of the world.
*
A few years ago, on a trip to Ireland, this truth was brought home to me. Our first day in Dublin, my husband and I wandered the downtown
streets, no plans except to find some fish and chips for lunch. As we walked by the National Gallery of Ireland, I decided we needed to go in. J.M.W.
Turner’s work was on display.
Many huge Turner paintings, but I was caught off-guard by a small, grey-toned watercolor, “A Ship Against the Mewstone.” In a stormy sea, a tiny
wooden-masted boat is being pushed dangerously close to a desolate rocky island, “the Mewstone,” that sits half a mile from Plymouth Harbor.
The name given the painting would seem to indicate that the human story, the possible shipwreck, is the central plot of this dramatic work
and, it’s true, the rocky island is higher than the masts of the ship and a danger to the fragile wooden hull and humans aboard. But the powerful
waves, almost black in their glorious height, tower over everything else in their white-tipped grandeur. It was the water that this viewer’s eyes
sought out.
It was not a soothing painting, but the strength of the portrayal of the magnificent peaks moved me to an emotional depth which I had not
expected to feel. Perhaps its power and beauty buffered me a bit as, for the next few days, we focused on the tragic aspects of Ireland’s past,
especially on the years of bitter violence, “The Troubles,” in Belfast and the North, as we visited sites of bitter fighting and turmoil and
hatred, children killed, communities destroyed.
Before we flew back home, we traveled to the tip of Northern Ireland, the rim of the Atlantic Ocean, and the Giant’s Causeway. Huge rock cliffs,
large waves, endless sea, thousands of birds inhabiting this sacred spot. Legend tells us it was created by a battling giant in the olden times.
Whatever its origin, that day the sun was bright; the sea was calm. No shipwrecks in sight. It was good to be reminded of the powerful beauty of
the world; I took pictures and hoped to embed this spot in my soul.
Scientists, philosophers, mystics don’t understand all the ins and outs of human memory, let alone human or supernatural creativity. My belief is
that the process of vision, of creation, revelation, will remain holy mysteries, sacred, along with the majesty of the creation. I can capture scraps
on my camera; Turner can create a whole canvas that leaves us in awe. In a utilitarian world, there is a desire to attribute value only through
functionality, but perhaps this beauty, this power is inexplicably just there for us.
Art and nature are necessary for my emotional survival. This morning in Oregon, as I stare out the window this morning, the surf has become
rougher. The waves are no longer “lapping” the shoreline. I can imagine my weak frame being swept out to sea if I had the courage or audacity to
traverse it in a tiny boat. For the moment, I can watch it, safe and warm from the upstairs window of the guest house. But by this evening, I’ll be
eating cake and ice cream in my own home. I’ll do what I can to make the world a little better for my baby granddaughter, bring peace, end
hatred...and try to keep myself hopeful with visions of art and the sea.
Annalist
by John Muro
From a deserted shoreline,
I watch a moonless sky darken
and regift to the ocean a tapestry
of wind-battered blue bound with
threads of gold as waves press
then unroll it in frenetic shimmer,
wanting to sustain day’s last light
and early evening calm and, some-
times, at moments such as this, I
become the vessel that holds the
hour’s transitory splendor, making
note of the weight of salted air
and the pungent fragrance rising
from thickset hedges of privet,
the hurtle and melodic falter of
the tides, and the delirious spirals
of swallows at dusk, wanting to
help each of them find their way
into memory and word.
~
Balm of Water
by Nancy Haskett
I.
Twice a month
during those unbearably hot
humid weeks of summer,
they come together —
on a day when house slaves are occupied with cleaning
and field slaves toil a mile away —
they walk slowly as a group of three,
fanning themselves, laughing, talking
until they reach the secluded spot,
the deep pool surrounded by trees,
where delicate white hands
untie hat ribbons,
remove lace gloves,
slip off dainty shoes,
unbutton dresses,
unlace stiff boned corsets,
pull off thin cotton undergarments
until they stand naked
unashamed,
slip one by one into cool water,
freed at last
from all restraints
II.
Every evening
after the children are asleep,
when the men lay snoring,
the two women put down their sewing,
blow out the candle,
sneak from the cabin,
brown bare feet silent on rough boards,
the packed dirt path down to the river
familiar in darkness,
they follow each other in silence
to the shallow banks,
pull the coarse, unbleached cotton dresses
over their heads,
step over smooth, polished rocks
until they reach the water,
walk without hesitation,
dip down to immerse themselves
into their only feeling
of total freedom
Driving California’s Route 1
by Tom Laughlin
The sun hangs above
the Pacific’s muscular waves
rolling onto seal-flecked beaches
tapping rhythmically at limestone cliffs.
Out beyond the roaring waves of white
sea birds circle and dive
piercing a rippled patch of ocean
until a dark yawn breaks the surface
scattering the wings upward
then slowly shuts its great lipped maw
and slips back
beneath the roiling surface again.
The sun hangs above
hairpins and cliff edges
that have carved this country’s coast since 1934
with Roadsters, Woodies, Cadillacs,
Corvettes, campers
and tractor trailers of produce
from family farms to co-ops
to corporations—
their inland valleys now miles of watered green corduroy
rowed and picked by migrant workers—
while hawks and vultures circle
higher and higher.
Beside the great Pacific
the sun hangs above
scorched brown hills scratched with dusty roads
and tired fence posts that lean and twist.
Bridges rumble over snaking sandy beds
that have forgotten their watery names.
In one blanched field
where yellowed boulders of displeasure
seem dropped by angry gods
a lone black steer has bowed his head in shame
muzzle nudging the earth
Searching
Searching
The Last Iceberg
by Patricia Behrens
Once, flying the polar route from France
I stared at a North Atlantic chock-a-block with ice,
imagining watchmen pacing decks, wary of icebergs,
of being struck like the Titanic, the icy shock of it.
You had a name then: the Polar Ice Cap.
You’d calved a million icebergs,
released them to ride the Labrador Current
to the Great Banks before the shrinking,
before the final tug from your tethering.
Blue-white opacity,
just building-tall now,
your shaded overhang
suggests a small door
that might allow us back
to the cold world
glittering in your depths
before you were left
to drift idly
in enemy heat.
Little Feet
by Kimberly Reiss
When I was 4 years old, I went to a day-care center where we had art classes with oversized paper and lots of gloppy primary-colored paint,
gymnastics where we practiced tucking our tiny heads and rolling, and swim lessons that took place in an enormous sectioned-off part of a
heavily chlorinated pool, that in mind, looked like it went on forever. I loved all my classes, but loved being in the water best. The weightlessness
and ease with which I could twist and turn and flip my body brought me utter delight. I was in my own magical kingdom when under the water’s
surface. Because we were so little (and maybe because things just weren’t as safe then as they are now) there was a trampoline-like structure in
the pool that served as an artificial floor beneath the deeper water, allowing the kids to safely stand. I was intrigued and distracted by what was
underneath the structure, and instead of focusing on the doggie-paddle, I spent most of my time investigating the trampoline structure. When I
realized that I could sneak underneath it at one of the trampoline’s corners, I waited for just the right moment when my instructor was occupied,
took in an enormous breath, and down I went. I swam like a tadpole to the deep end, taking me farther away from my corner. When I looked up, I
could see the indentations of the little feet of my classmates above me on the trampoline’s surface. It looked like an oversized stretchy
marshmallow. Soon though, I started running out of breath, and all I could see was the trampoline above and water below. My little brain
registered utter terror. I had no idea how to get back to my trusted corner and up to the water’s surface. It felt as though my heart would pop right
out of my chest. I raced towards what I hoped was the side of the pool, which is was, then keeping one hand on the hard surface of the side, I swam
until I felt a corner. I looked up and could see light! Using my arms and legs, I pushed and pushed against the water until my head finally popped
up. I gasped for air, stood on firm ground and wiped the water from my eyes so I could see clearly. I looked at all the kids doggie-paddling and
heard my instructor, Good job everyone, keep your heads above the water and circle your hands in front of you like you’re a dog digging in the dirt
for a bone. It seemed like my instructor and classmates didn’t even notice that I had been gone. It was as if time had stopped while I was under the
water. Did it?
To Be Ocean Water
by Jackie McClure
I am needle-sharp cold,
silver darts on impact.
I am transparent.
You may think
I am blue
or green
or gray to match the fog
I sometimes
allow to hover
just above my skin
but
my surface defines reflection,
tantalizes the sun,
that wary weasel,
always trying to sneak
its steaming swords into my skin.
Glinting does no good,
underneath my salt, my mirror,
my movement,
I am
in cahoots with the moon.
We rise,
we pull,
we conduct
a swelling symphony
and we create the rules.
I lick,
I make a rhythm
with my licking
that the world
must follow.
I whisper to the rock,
my rhythm running
over:
come with me,
let us make sand.
The Consciousness of Sandstone
by Jackie McClure
If I were to write of my own cave
it would be a sandstone undercut
hollowed by the repetition of
rapid generations of water,
salted with a rhythmic spray.
Circular imprints from the repeated
splash after splash have softened
a pattern, defying probability
that single drops of water could meet
a surface, then rise and spray
with enough repetitive exactness
to melt a single hole in stone.
Some areas of this hollow
rarely see sun, some areas
rarely breathe air, all of them
recurrently know water.
Water sometimes fills this cave,
leaving but a slim hand
to connect it to the earth.
The clawing hold on land
is a lingering need to believe
the history that deposits itself
and decomposes layers of densely packed
needles to create a home
for parasitic plants who push themselves, ghostly,
waxlike, from the lives of cedar, hemlock, fir.
Lower down, lapping swallows
the inner walls of what it means
to live a life of rhythm:
knowing fullness - measured through a motion
where the floors and walls cup,
and living barnacles sigh and open
their tongues to lick
the undersides of waves;
knowing emptiness - sun crystallizes
salted vestiges of tidal action
closing the crust on fast-clung
barnacles. Emptiness is not only
a residue, it links the hollow
irrevocably to a land losing
ground and longs to taste the
taking on of water from all sides.
The Traveller
by Deborah Blenkhorn
*An homage to Percy Bysshe Shelley’s “Ozymandias” (1817)
I was a traveller who gazed at an island.
Pronounced it vast--a rust red stone
that crumbled ‘cross the strait to make this sand.
I sank my face into the sea, far down,
and smiled as ocean currents fanned
the tendrils swirling o’er the warm sea bed
and hid the underwater things
my soul caressed as rough wounds bled.
And on the beach these written words were clear:
Summer lasts forever! Nature sings!
Listen to your heart! And don’t despair!
Then came the rains. Around the bay
I could not see what was no longer there,
the sand and sea a memory away.
When The Flood Comes
by Gerrie Paino
Medium: Photography
Mermaid Memory
by Cynthia Gallaher
About to succumb to anesthesia,
I asked my surgeon,
“Instead of replacing my knees,
can you reinstall fins instead?”
“Or give me back that one svelte
mermaid’s tail from the hips down?”
He looked puzzled, I fading to black,
10-9-8-7...
And now, once again, I’m underwater,
mid-ocean, chasing eels and dolphins,
coming up for air
every few minutes.
Who was the who — who captured me,
placed me in that earthly ovum
years ago, to arise
in this place that
Dried out my scales,
turned my flippers into flat feet
to walk crooked and cranky
on moggled terrain.
Only feeling like the one-that-got-away
in snorkel and swimsuit,
admiring my favorite patterns
as they whirl beneath me,
Multicolor mosaic pool tiles,
and wavy French-kissed
reflections between sun
and water.
Pulling myself out to the edge,
where gravity reigns
and years that drag down
once-fertile organs and supple joints,
That I instinctively battle
as I swivel fiercely upstream,
more often now than not, in shallow rivers,
that no longer tributary into endless sea.
Feeding the fishes
by DS Maolalai
a day on a close coast
and sealife safari,
surrounded tourists,
by children
of tourists, by sea-
gulls and chirruping
dolphins. I feel the boat
tipping, am sick
off the side —
a thunder of organs
exploding like crabs
dropped in traffic.
my companions
expect this from one
of our number;
we spent the night
drinking, and poking
at cards — I admit,
I'm ashamed, though,
to learn that it’s me
who gives over. I look
at them sheepishly,
wiping my mouth.
the prow takes a tip
toward some sunbathing puffins,
and the captain makes cracks
about finally feeding
the fish. weakly
I smile, tilt my face
to the wind
and cold currents.
focus on looking
at nothing.
My Friend, Pacific
by Cleo Griffith
There are not a lot
of oceans
in my life, not a lot
I know personally.
Two.
Well, the Atlantic
is more an acquaintance.
The Pacific is a friend.
My home-town lake, Chelan,
joins the river Columbia,
to mix with the ocean Pacific.
First ocean adventures:
Oregon coast, rocky,
agates, fossils, high school,
college.
California delights,
Santa Cruz, Monterey,
lovers’ point at Pacific Grove,
sea lions, with husband.
So many years of waves,
sand, tide pools, cameras,
children, growth.
Wonderful hugeness,
impressive strength,
calming murmurs,
friend, Pacific.
Drums of Thunder
by Cleo Griffith
Feel the surge, the drums of thunder,
melancholy syncopation of the rain,
frantic pulse of every small beasts’ heartbeat
under roiling skies of threatening hue.
Nature shows how green is made to tremble,
how azure streams are churned to muddy brown,
hail will trample crosswise over young grass,
early flowerings laid to ground again.
Trembling rugged redwoods yet stand sturdy,
centuries of this have ringed their girth,
though tumultuous day be dark as caves,
there is a kind of understanding through.
This is un-plotted, earth’s own ancient story,
violence undirected, explosion quite unplanned,
later the undone will bind itself, renew...
unexpected discipline educating man.
River
by Ron Wetherington
“Eventually, all things merge into one, and a river runs through it.”
- Norman Maclean
It began with tiny springs seeping upward through deep conduits in the crust. Separated in their several valleys by folded ridges, these small
capillaries braided their way down slopes. Joining others from obscure origins, these became minor brooks. They converged one by one and
gained momentum, answering the pull of gravity, gathering energy in a focused direction southward as if beseeched. It happened just over three
million years ago, over a time too long to witness.
The several brooks joined as creeks, the creeks as streams to be named by cartographers millions of years later. But eventually, all things merge
into one: as tectonic forces lifted nearby mountains, the coursing waters congregated, cutting a single channel through volcanic rock at a
relentless rate of a few stubborn centimeters a century, and a river was born in what is now southern Colorado.
We know it as the Rio Grande—the Great River—given its name by 16th century Spanish explorers awed by its power and daunted by its role in
curbing passage: the great boundary-keeper. I have crossed it, dipped into its frigid waters. It doubles its volume as it leaves its origin in the San
Juan Mountains and receives the flow of New Mexico’s Red River at Questa. Here it cuts deep into basalt, becoming a canyon with depths of 800
feet. I have descended into that canyon, following an ancient path, reading the petroglyphs pecked into basalt a thousand years ago down there at
the river’s edge. The ancients must have been gripped by its power,
transcribing it in sacred images, telling stories.
Both the rise of the Sangre de Cristo mountains to its east and the subsiding volcanic plateau through which it slices increased its rate of flow and
cut a wider gorge at Taos, a quarter mile across. The passage intimidated westward wagons two centuries back. I could not have breached it, then,
but I have rafted its white waters through Pilar, striking hard against the rocks beneath the rapids, struggling in captive terror, jubilant at each
small victory. The memory of those waters still electrifies and haunts me.
The great river exits its mountain course at Velarde, entering the high scrub at Santa Fe and slowly exhaling toward the dry basin of the Jornada
del Muerto beyond Albuquerque. At El Paso it was called Rio Bravo, where the Camino Real guided passage across the boundary between Old
Mexico and New, the 18th century caretas creaking with trade goods outbound from Santa Fe and then returning. My imagination has taken me
there, trudging beside the yoked oxen over the white desert.
Beyond El Paso it slices and twists through majestic limestone canyons at Big Bend. But the river is gentler here. I have crossed it on burro to visit
Boquillas del Carmen, the row of Mexican adobes on a spit of land across the river. I remember a chained black bear outside a dusty tienda,
drinking from a bottled cola which cost me a few pesos.
Beyond the last bend, the river broadens and straightens its course and becomes navigable through Brownsville, Texas. Steamboats plied its
waters in the 1850s. I have crossed the bridge there, into Tamaulipas, towards Victoria.
And here, at last, the Great River exhausts its energy, dispersing its identity into the Gulf of Mexico and disappearing. Only a fifth of its original
content makes it this far. Evaporation and irrigation ditches and city extraction siphon most of it along its 1,900 miles. The loss is continuing. In
Las Cruces, where the Chihuahua Desert creeps across the border and the Jornada begins, not an ounce now flows in the Rio Grande after the
growing season in September. The river used to run through it all year.
One does not think of a river as ever dying.
Most of the important events in any life are accidental, but some are not, and a river’s life is like that. I am haunted by its waters, still.
Heavy Weather Downtown
by William Doreski
The hot afternoon is drooping.
Storms clench big fists to pummel
insensate landscapes senseless.
We perch downtown by the river
and drink coffee from a polished
insulated aluminum mug
tough as a miniature casket.
Summer arrives next week to apply
its evil temper to every object
and drain the fluids from the human
brazen enough to embrace it.
We’re simple organic engines,
but we plaster ourselves in myth
and legend, preferring deities
to our meaty and practical selves.
The storms will apply a discipline
some will enjoy and others fear.
Whiplash of lightning, leather
of cloud, thunder bleating with pain.
We’re still drinking our coffee
when the first tickle of rain occurs.
We duck under cover and watch
a wall of water harshen past,
the parking lot suddenly flooded.
We praise the rain on behalf
of gardens flimsy with thirst
and hope the lightning doesn’t
unzip and reveal our secrets.
How I Always Picture You Drowning at Sea
After The Mermaid You Left Me For Dumps You
by Juleigh Howard-Hobson
Let the water be cold and the wind sharp.
Let the sky be grey, cloud hung and heavy.
Let waves come crashing down, again, again,
again pushing you under into dark
bottomlessness. May the breath sucking sea
pull you almost deeper than your lungs can
stand. May you rise up, gasping and clutching
in wet frigid air. May there be nothing
to grasp at, nothing to reach for, may your
feet dance deep, frantically, never touching
base, may your cries be merely numb mouthings
of blue lips. Let your clothes become water
logged, let them weigh you down slow, while your hair
floats behind you. May you sink well aware.
Hydros
by Juleigh Howard-Hobson
Find me in ever expanding circles
and every drop itself. I am rain, I
am cloud. I am all that is fresh, blue, wet,
lifegiving. I fill the secret sinkholes
below the city. I am earthbound, sky
held. I am puddled. I am dammed. I let
all that is green and primal soak me up.
I draw myself across and through the earth,
saturating as I join aquifers
unseen but well tapped. In hands, curl-cupped
to taste me, I pool, my reflected girth
a ball of liquid self, leaving when thirst
or evaporation take all they can
of me as I cycle around again.
Sealight (X)
by JC Alfier
Medium: Collage
Awaiting Odysseus
by JC Alfier
Medium: Collage
My Surgeon at the Pool
by Kate Hendry
He was swimming breast stroke —
of course — his technique elegant,
ankles meeting briefly at the end
of every stroke. Like a blade,
sun slanted through the glass roof
onto my lane. I switched to front crawl,
and overtook him. Underwater,
I saw the tuft of auburn hair
in the centre of his chest.
His blue cotton trunks,
slashed with cross-stitched stars,
billowed each time he tucked in his heels.
A threadbare pocket turned inside-out
and spilled the remains of a tissue
downstream, like scrapings of my skin.
The sea in your palm
by Laurence Levy-Atkinson
The sea in your palm like sugar in rain,
Light enough to hold.
There is so much water on the world.
It is in the air, your body, your fuel,
The limb and spine of plants;
The highways between continents
Are made of it.
And there is a crush depth too.
A tipping point where too much of it
Will break you and collapse you into yourself.
It can be expressed as a formula,
An equation to prove how much pressure you can take.
Yes, you have your limits.
Yes, you do well to ignore them.
Yes, there is a moment where the weight
Of the water you so sweetly
Hold in your palm
Becomes too heavy to swim through
And will break you
And will never give you back.
Drinking Wasp
by Devon Neal
Here is something to miss
about summer: by the outside
cat bowl, water ribboned
with grass, a red wasp,
its body like crimson beads,
perches on its edge,
gathering crystal drops
with its whisker limbs
in the wet sunlit afternoon
of late August.
Nasty
by Devon Neal
is the word we use for this morning
where, under the still-black sky,
thin sheets of catclaw rain
tatter in the nervous wind,
covering every surface in dripping cold.
It crawls under the edges of your collar,
combing your hair behind your ear.
It’s the same word we use to describe
some secret of a creature squirming
between the wet joins of forest rocks,
a throbbing life in an impossible place.
Beach
by Jenny Liu
The shadow of a seagull flying overhead strikes me for a minute. It is just like a movie as commanded by a cinematographer. A wave cresting much too high, and the lone surfer at the top, who waits to be delivered safely to shore seems to stop my entire being. It is the unseen and the imagination, at once together. Do you understand what I’m saying? Like sands blowing across a desert, above sheltered snakes. Like sands through the hourglass being the days of our lives. You know what it means to build a sandcastle with nothing but plastic. You know what it means to live in it, the same way people say about beds and lying in them. Difference the breeze. Cool, salty. And how shooting the shit and spouting philosophy feels so good and right that even my striped umbrella has to agree, what with its canvas stretched taut like the skin over my knees as I clutch them to my chest and set the flat of a notebook atop. I am and was speaking to no one, but I see my loves run toward me. I see the gleam of their teeth calling my name and their shoulders blushing sunkissed, and I’m raising the rim of my hat now, raising a hand to secure it to my head. I’m rising like the lone surfer. I wave, and there I am, delivered safely at last.
Love Surfaces
by Michael Barbato-Dunn
The first class had begun by the time Dionivus swam in. Master Marinus, bobbing at the podium in the lower bowl, spied him. “Nice of you to
finally join us.”
“Apologies, master,” he replied, feeling the eyes of his classmates upon him.
A maiden to his right grinned at him. Dionivus glanced toward her and offered a sheepish smile.
Marinus resumed his lecture. “Over the next twelve weeks, you will learn how to act like a human being. Yes, they are a crass and vulgar race. But
to preserve Atlantis, it is imperative to have merfolk living among them to monitor how they pollute our oceans. Only with such knowledge can we
adapt our ecosystem to ensure survival. Those transformed will be revered as heroes…”
Dionivus's attention wandered, and he found himself looking back at the maiden. Her skin reflected a rich aqua hue, as did her eyes. The scales of
her monofin shimmered in the sunlight like gold. Fire-red hair swirled around her. She was... the word ‘beautiful’ didn’t seem sufficient.
An appropriate descriptor came to him, though it was a phrase used more often, ironically, by humans: breath-taking.
#
As the class ended, he summoned the courage to speak with her. “I am Dionivus.”
“I know that,” she laughed. “You just made quite the entrance.”
Blushing, he struggled to respond. She broke the awkward pause. “I am Nimiane. Best you are not tardy again. I hear Master Marinus has little
tolerance for such antics.” Her flowing hair obscured a slight smile.
“Trust me, with you as a classmate, I will never be late again.” He saw her smile widen. “May I...escort you home?”
“I’d be pleased,” she replied, offering her hand. A school of butterfish watched and chattered as the two swam off, their flukes beating in unison.
#
“The key to acting human,” Marinus explained in the second week, “is to be self-centered. They place individual needs above the greater good,
while merfolk always prioritize community. Avarice, wrath, envy: these are the domain of the humans.”
The instructor swam forward to make his point. “As distasteful as it may be, for the remainder of this class we will focus on learning how to act as
a perfectly selfish creature.”
Dionivus and Nimiane, floating side-by-side, their fins touching, shuddered as one. Marinus spotted the reaction and called to them. “You two
seem quite the couple. Let’s try some role-playing. Nimiane and Dionivus, pretend you are married humans. Improvise a moment.”
The other classmates turned to watch. Nimiane grinned and, without hesitation, launched into a scene.
“Husband, can you prepare dinner this evening? I am interested in spending time with friends.”
Dionivus recalled Marinus’s lesson on human men. “No, wife. I cannot, for I must watch a sporting event.”
“There is old food in the kitchen,” Nimiane replied. “That is how you will dine tonight. Goodbye, husband.” And then she kissed him.
Their classmates offered rapturous applause. Marinus undulated at the front of the class. “Well, the dialogue needs work, but I think you captured
the essence. A good start.”
#
Each day he escorted Nimiane home, holding her hand as they swam through the tubular channels that crisscrossed downtown Atlantis. But at the
start of the tenth week, she pulled away. “Thank you, Dionivus, but I will travel alone.”
“Nimiane, it is my pleasure…”
“No. We cannot stay so close.”
“But... but why? I thought you felt…”
“I do feel that way.”
“Then what is it?”
“Can’t you see? In a few weeks, the class will end, and we’ll learn which of our group will be transformed into humans to live above. One of us may
be selected, and the other may not. Then we will never be together again.”
She embraced him, and amid the currents of the deep ocean he felt warm tears on his shoulder. “It is better that we part now,” she whispered,
then swam away.
Dionivus, dizzy, grasped for a nearby railing, lest he sink to the ocean floor.
#
Marinus started the final class with a bit of levity. “These are called bathing suits.” He held up two pieces of human clothing. “The small piece is
for males, the larger for women. Humans, it seems, are embarrassed by their bodies and feel the need to wear clothing when they swim.”
Laughter erupted.
Dionivus, somber since the breakup, feigned a smile and stole glances at Nimiane, who hovered at the far end of the chamber. She avoided his
gaze.
Marinus put down the bathing suits, and his tone turned serious. “You have all done well in the twelve weeks of acting class. Tomorrow, we will
announce which of you will be selected to live among the humans. Please gather at the appointed hour.”
#
The next morning anxiety hung in the waters thick as kelp as the students swam in. Dionivus rushed to reach Nimiane as she entered.
“Nimiane, wait. I have a plan. If one of us is chosen and the other not, we will flee together. We will leave Atlantis and make our lives together in a
remote ocean!”
She cupped his cheek. “Oh, sweet Dionivus. Wouldn’t that make us as selfish as a human?” She turned and swam into the classroom.
Dionivus followed, arriving just as Marinus began reading out names.
#
The summer heat beat down on Daniel as he hoisted the twins from the minivan. Naomi lifted the hatchback and grabbed two bags of groceries.
“Can we go swimming now?” Kaley and Grant shouted, almost in unison. “Can we? Can we?”
“You bet!” Daniel told them. “Race you to the pool!” He stripped off his shirt and began running toward the backyard fence.
“Wait, Daddy! You need a bathing suit!” Kaley shouted, clutching her Ariel doll.
Naomi’s aqua eyes gleamed. “Kaley’s right, husband!” She winked at him.
Daniel returned to his wife and took the bags from her hands. “Go swim with them,” he said, returning the wink. “I’ll make dinner tonight.”
Anadromous
by Zach Murphy
Elliott crouches atop a jagged rock on the shore of the river, spine contorting like a tree branch, skin wrinkled like a fallen fig, his weathered eyes
squinting at a run of salmon as they swim upstream and launch their slippery bodies toward a crashing waterfall. He admires their
ceaseless tenacity, their magnificent hearts, their silver scales glistening in the sunlight. The frigid wind whips through his beard, the color of
sand, as the river water splashes his freckled cheeks. His dark blue veins are a map of where he’s been, where he’s going, and where he went
wrong. Mosquito bites and scratch marks paint his arms and legs, but he feels alive. So alive. He takes a deep breath, lunges into the river, and
submerges his head beneath the ice-cold water. He looks around and sees stones that have known the river longer than him. He sees his mother’s
green eyes in the floating bubbles. He hears his father’s angry roar amidst the rushing water. He hears the silence of the son he always dreamt
about but never had. He ascends back up through the river’s surface and exhales everything he’d kept locked up in his brain and in his bones. His
salty tears disappear into his soaked skin. He smiles the widest smile he’s ever smiled, his teeth — abandoned shells. The river feels like home.
Like home. The salmon swim past him in a frenzy. He looks toward the waterfall and follows behind the salmon, his magnificent heart leaping
from his chest.
gave her a song
by Linda Crate
down in the creek
i stood on the stones,
watched as the trees
swayed in a slight summer
breeze;
the creek washed away all
of my worries and all of my pain—
every anger was swept
away in a current
far away from me,
maybe the reason the ocean
is so salty is because she
carries all the brine and cutting
barnacles of a world that isn’t
always fair, just, or kind;
so when she rages she is carrying
a thousand swords of wrath—
but i have found if you are kind
to the ocean,
she’ll be kind to you;
i once sang her a song and she
didn't knock me over in her waves that day.
Domestication of the Transient Mermaid
by Sara Santistevan
Overnight, a mermaid appeared swimming in the waterfall fountain at South Coast Plaza. She’s fished up all the pennies and made herself a
copper crown out of them. She wears a necklace of nickels and bracelets of dimes. The jewelry shimmers, but dully in the breathtaking gleam of
her tail. When she emerges from the water, the shoppers rush past, scuffing their polished leather Oxford shoes and imported pearls. They avert
their gazes and their overflowing wallets, pretending not to notice or care about her presence. But she doesn’t care. Until a man reaches out to
caress her iridescent scales, so she hisses, baring her iridium fangs. The security guards escort the man for ruining the fountain with his blood,
and the mermaid is relocated to the manatee exhibit at SeaWorld. Every night, she reflects as an eternally rotating group of children on field trips
watch her from the other side of the tank. Every night, her pupils dilate as the lights turn off and the children fall asleep, all wrapped up in their
unadorned sleeping bags. Every night, she envies their freedom.
At Red Willow Canyon Mouth*
by Sara Santistevan
(A Sestina)
Red Willow leaves cry out to a sapphire future,
urging my search for the birthstone earrings you gifted me.
Because I lost them in the heat of springtime, daddy,
and even as spring falls asleep, I still can’t forgive myself for it.
In the dark, I envision jeweled fragments, reflecting in the sea
of my mind. I dive for them, until I am drowned, and happy.
Travolta smile bright, Trejo eyes olive and happy—
impressions of you I preserve in brine for future
binges. My musing diagnoses of you run sea
deep. Your daylight, a mythos that haunts me
like La Llorona outside my moonlit window; it
hurts like ghost cysts twisting my guts, daddy.
I’m sorry. I don’t want to remember this either, daddy—
although Mom explained your illness made you seldom happy,
I am snake-bellied and Malintzin-cursed to admit it.
To remember your shadow-born rages could shake the future;
to diagnose how they stamped a fear deep within me,
quivering like mist, rolling in thin from the sea.
The summer after your departure, we visited the sea
wrote letters, secured on shiny balloon strings, labeled “daddy.”
When the balloons drifted toward you, Mom had to uphold me;
grief refused to fuse me into a desired new you: happy,
unscathed. Reverse lightning silhouetted my foresight of a future
sugar addiction: a ghostly inheritance, but none want to claim it.
In the second year without you, we visited your hometown. It
snowed for you. The land on grandma’s house was a white sea
of lacking so vast the horizon projected that present’s future.
In your childhood home, I conjured you by the name “daddy.”
When I grew older, I wanted badly to belong; you weren’t happy
I abandoned that name; like all teens, lineage embarrassed me.
Now, our birth from the Tiwa and their red willow inspires me.
The Rio Grande ends so close to your old home; it isn’t a sea,
but the Spanish still crossed it, then tried to destroy a happy
People. How could this violence birth our polysemy? Even so, it
can’t destroy my idealism; when autumn returns gifting freshly reddened leaves, Daddy,
I’ll pray you and Red Willow Canyon Mouth live on in an untouched and healed future.
*The title of this sestina is the rough English translation of the formal and ceremonial tribal name of the Taos Pueblo (ȉałopháymųp’ȍhə́othə̀olbo)
Needing to Go
by Laurence Levy-Atkinson
One summer, my cat stopped peeing. He wasn’t stressed about it, didn’t bother anyone, didn’t make a scene. He was so relaxed that it took me a
while to notice the litter trays were empty. It was one of those once-in-a-decade summers with too much heat and sun and everyone prayed for
the rain but when it came, there was too much of it. Way too much. The news started to report about the dams hitting their overflow thresholds
around the time I noticed my cat had stopped peeing. There was a nice symmetry there about waterlines being reached in unison but I was too
concerned about him to notice.
Google told me more than a day was worrying and it must’ve been more than a day, even if he didn’t look worried. While I phoned the vet and
explained the situation, he walked circles in the living room in a patch of light and slept and I could’ve sworn he was happier than I’ve ever seen
him.
The vet told me the same thing Google did until I told them it might’ve actually been two days by then. They told me to bring him in. I said he
seemed fine and they said it didn’t matter. I agreed. When I got his carrier out though, the way he rolled around on the carpet made me feel like I
must be missing something.
I checked the litter trays again and knelt down and looked closely, got my face right in there. The rain had splashed through the window and
dampened some of it or maybe it was just the humidity attracted to the recycled paper. It was a once-in-a-hundred-years La Niña summer so the
air was sticky with moisture. Or maybe he’d just gone while I wasn’t looking, probably in the night while I was asleep. That’s what I told myself.
48 hours was scary but strangely, half a week was easy. I didn’t take him to the vet and he didn’t seem like he needed it. He walked back and forth
on my lap and nuzzled me while we watched the news and saw all the evacuations and towns cut off by the flood waters. He balanced on my legs
and tried to get my attention; a bit more symmetry — the news was showing residents stuck on their own rooftops, waving towels to attract
rescuers.
The litter trays stayed damp but not damp enough to be pee. The rain beat on and I didn’t close the windows. The spray kept making its way inside
and running down the wall towards the cat litter and by the end of the week, I began to convince myself that it was him all along. The rain couldn’t
account for the wetness in there, only he could. I was just missing it. It was the only thing that made sense.
Halfway through the second week I decided to get a mobile vet out. It was hard to find one at first because they were reluctant to travel in that kind
of weather; so many roads were closed and buildings that still had power got less common each day. When I finally got one, it was the end of the
second week. A fortnight at the least since he’d peed.
The vet felt his bladder, took his temperature, looked at me like I was crazy. Maybe I was, although I very much doubted it. His bladder doesn’t feel
full, they told me. He might just be going somewhere else and you haven’t found it yet. I told them they were right, thanks for making the trip. I
saw them out and they clung to the side of the building to avoid getting swept away. Buildings were islands by that point.
I watched my cat closely and waited and he was genuinely happy, totally fine. Probably enjoyed the attention. And he didn’t pee and it didn’t stop
raining. The towns that were drowned in the hinterland and along the coast didn’t get a reprieve because the water slowed for a few days but then
came back harder than before. No-one knew why. The meteorologists fell over themselves trying to explain how a once-in-a-thousand-year event
could happen twice in a month and no-one listened and no-one had anyone to blame.
Though I suspect that’s because they didn’t have my cat. He started retaining water at the same time the earth did and both kept filling without an
end to come. It was all that made sense. Which also explained why, when I figured it out, he started avoiding me. I didn’t see him in the day and in
the night the waters rose into the first floor of our building. My neighbours started leaving; by all rights I should have left with them. I didn’t
though. There was no point by then.
I heard them splashing around the stairwell, dragging their possessions through the brown water and shouting. They weren’t sad, they were very,
very angry. They kicked doors open on their way out and didn’t mind denting the walls either. More people with no-one to blame.
If they’d known what I knew, they would have burned my cat in prayer and offering. That’s what people used to do. Maybe I was supposed to.
Maybe I should. It’s something I wondered many times as I made my preparations and got together all the things I required.
Or maybe he just didn’t need to go.
A Picture Taken At Morrison Creek 2008
by Tim Moder
An Egret wades in swollen tides, as rising sighs serenade
revolving ankle-flies. Primrose stitch threads of distracted light
through hills of cedar. Weasels hide in driftwood bleached, and
gobs of peat from bogs that dried themselves to sleep in summer.
Marbled rocks maroon on poison ivy paths. A Superman towel
hangs on barbed wire fencing. Woodpecker, stink bug, whippoorwill.
Water beetles, muskrat, lichen, spore. Ladybugs on four-leaf clover.
A collie grins a mouth of picnic lunch. Gulls don’t see the earth as
separate from the sky. Neither do I. At the seawall footprints are
invasive species, their uninvited edges postcards. Dense embarrassed
sand births sun-bleached plastic bottles, cotton candy dowsing rods,
a child’s doll with pollen-wetted eyes.
Self-portrait as the water cycle
by Karen Grace Soans
“Art is long, and Time is fleeting”
- H.W. Longfellow
in this brief breath
I strive for peace
aim to be as generous as water
taking up space as offered
holding space for every story
from the hidden spring
to the sedimenting river
to the repeating sea
to the living ocean
our mother in perpetuity
nourishing endlessly
quenching thirst and fire
till I am volatilized to vapor
diffused between atmospheres
always returning to the soil.
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