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Penumbra Online
Summer 2024 

"Water, Water, Every Where"

***TSUNAMI, LAUPAHOEHOE, 1 APRIL 1946

by Mantz Yorke

 

1: Destruction

 

Excitement: the village school about to open,

but the children are chasing the sea

as it retreats a long way from the rocky shore,

exposing sand and leaving fish flapping in pools.

 

But the sea is teasing them, coming back

and retreating, the delighted children squealing,

following the tideline as it flows and ebbs.

 

As if tiring of the game, the sea becomes calm,

but it’s pretending: it is gathering itself

for the big one – not a Hokusai great breaker,

but a long, relentless surge set in motion

by a huge earthquake half an ocean away.

 

Playfulness turns into brutality: the surge

this time keeps on coming, coming, coming,

smashing the school and the teachers’ houses

against the bluff. The children who know too late

they should have fled are tumbled, screaming,

drowned in the seething violence of the sea.

 

2: Survival

 

You were lucky the sea’s swirl

swept you close to floating wood –

perhaps a bit of clapboard

from the wreckage of the school

or the teachers’ residences,

but enough to make a raft for you

and the two exhausted teens

you were able to haul aboard.

 

A spotter plane saw you on the raft

and dropped a yellow inflatable

while the current carried you north-west

as the sun declined. Lucky again:

in the dawn light forty miles up the coast,

not far from Big Island’s northern tip,

a girl on the cliff spotted the yellow

and got three swimmers to bring you in.

 

You might have made it to Maui,

nearly a hundred miles away. If not,

you’d have had little chance of rescue:

the inflatable would have been left drifting

across the vastness of the Pacific,

perhaps to fetch up on a Russian shore

as nothing but a garish piece of flotsam

swilling in the shallows, nobody on board.

Quicksand

by Mantz Yorke

 

Creeping across sunlit sand, the sea

is surreptitiously burying my feet. Warm

to begin with, the flow is turning colder

as the tide continues its advance.

I can no longer pull my feet free of the sand:

I shout and wave, but folk don’t understand

I’m trapped. The water clamps its cold

around my chest, reaches my chin, my nose.

 

I wake.

 

The room is bright, as if snow has left a covering:

sheets, pillow, wall, and the curtains drawn

around the bed are dazzling white. I look down:

beneath me a body lies at rest, pallid and inert.

***I’ll Be Waiting for You Here
by Mark Ifanson

 
Hi Milo. How are you feeling today?
 
What?
 

Hi Milo. This is a very nice beach, isn’t it?
 
Who is this?
 

How does the sand feel between your toes?
 
It’s...It’s OK I guess. Feels pretty good, actually. Who are you?
 

Take a look at your legs, Milo.
 
They’re all cut up, and burned. What happened to me?
 

You’re OK now Milo. Can you feel the cool water on your wounds? How does that feel?
 
It stung at first, but now it feels soothing. What’s going on here?
 

You’re walking on the edge of the surf on a deserted beach. It’s very scenic, by the way.
 
And who are you?
 

I’m the seashell you picked up off the beach, Milo. Let me ask, why did you pick up a seashell and hold it to your ear like you did just now?
 
I did it so I could hear the ocean, I guess.
 

Right. You are walking along the beach, with small waves breaking at your feet, and yet you picked up a seashell to hear the ocean when the ocean

 
is all around you. Why would you do that?
 
Well, I don’t know, really. When you put it that way it sounds pretty stupid doesn’t it?
 

Not stupid Milo, just instinctive. You did it without thinking.
 
Sorry.
 

Nothing to be sorry about. It’s just something you did.
 
There’s no one else here?
 

Right, it’s just the two of us, Milo.
 
And we are where?
 

We are at the beach. A beach from your memory.
 
Why?
 

Because we are talking about it. So, we are here.
 
Your answers are vague.
 

Sometimes, yes. I’m happy to tell you what I know, except when I think you need to figure things out on your own.
 
Am I dead?
 

Do you feel dead?
 
How does dead feel?
 

I don’t know, I’ve never been dead. But that’s why I was asking you how you feel. How do you feel?
 
I feel... OK, I guess. So, I’m dead?
 

Look at your chest, Milo, and tell me what you see.
 
I’m wounded. Looks like a bullet entry wound, low in my chest. But it doesn’t hurt. Some water has splashed on it and it’s soothing. So I’m dead.

 
Was I in a war? Was I on the right side?
 

Yes Milo, you’re dead. And you were in a war, and it does not matter what role you played, because you were mortally wounded, and now you are

 
here. There are many wars in your world with many sides, with combatants and non-combatants, and everyone thinks they are on the right side.
 
Once you are dead it doesn’t matter anymore.
 
And what is this, heaven?
 

Does it feel like heaven?
 
How would heaven feel?
 

Tell me, how do you feel?
 
I feel OK, I guess. Content. This is a nice beach, but I don’t think it’s heaven. No angels, no music, no overwhelming feelings of joy. Is this hell?
 

What do you think hell would feel like, Milo?
 
Pain. Horrible pain. So no, I don’t think this is hell. Maybe purgatory?
 

What would purgatory feel like, Milo?
 
I don’t know. Purgatory is just a word for me; I’m not very religious and haven’t given it all that much thought. So, I guess I’m just here, is that it?
 

Yes, you’re just here.
 
Are we going someplace?
 

Would you like to go someplace, Milo?
 
Am I going to be reincarnated?
 

Would you like to be reincarnated, Milo?
 
I don’t know. What would I come back as?
 

What would you like to come back as?
 
I’m not sure. Do I really have a choice?
 

No; it’s already determined. And no, before you even ask, I can’t tell you.
 
Can’t, or won’t?
 

Won’t. Here’s why. Right now you are anxious because you don’t know what you will come back as. That is unfortunate. But if I tell you, then you

 
will focus on missed opportunities and become much more anxious about all the other things you won’t come back as. You’ll just have to trust me
 
on that, sorry.
 
What will happen to you?
 

I’m a seashell. I’ll stay here and become part of the beach as wave action slowly grinds me into sand.
 
And then what?
 

I’ll be here until you come back.
 
After I die again?
 

Yes, Milo, after you die again.
 
So, I’ll come back to this beach and you’ll be a seashell again?
 

Probably not. When you come back it will be in the context of a very pleasant memory from your most recent life, and I will appear as a component

 
of that memory. Then we will have a conversation like this again, with you asking questions as you prepare for your next life.
 
Will I remember any of this? Will you?
 

You will not consciously remember any of this, but some of this experience will be deep in your subconscious. I will remember everything.
 
What will you do while I’m gone?
 

I’ll be here, waiting for you to come back.
 
Just me? It could be a long time before I come back. Don’t you have others you do this for?
 

I’m here only for you. I remember everything for you, so you don’t have to. It would be too much for you to process between lives.
 
That seems very sad. Lonely, even.
 

That is very empathetic of you Milo, thank you for that. No, I won’t be lonely, I’ll have all your prior lives to reflect on until I see you again.
 
So...You are me, somehow?
 

Yes. I am so glad you figured that out, you often don’t get that far before you leave me. I’m the part of you that stays behind.
 
The water is all around me now. It’s warm. Shadows. Noises. There’s a commotion of some sort; I’m scared.
 

Please don’t be scared Milo, you are about to start over. Safe travels, my friend. I’ll be waiting for you here.

***Here I am carried, here I descend

by Hannah Levy 
 

“All water has a perfect memory and is forever trying to get back to where it was.”

 - Toni Morrison

 

“Have you also learned that secret from the river; that there is no such thing as time? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.”
 - Hermann Hesse, “Siddhartha”

 

In one of my earliest memories, I’m standing in a shower. Hot water trickles down my arm. I’m watching my hand, fingers outstretched. This is what magic feels like: rivers flowing out of my body, like the rivers flowing out of Eden. I return to this visual again and again and again throughout my life. The open palm, the water. That quiet feeling of power.

 

 

What did it feel like to step into a river for the first time? A bewitching pull, a wet grip around my ankles. A sensation entirely distinct from the forward-backward lull of ocean waves, the circular swirl, the return to shore. A different energy, a stirring, an awakening. A promise of voyage. An intoxicating, Earth-shaping potential pulsing through the current.

 

A river is many things because a river moves through many places. Constantly changing, adapting. Even the concept of a river defies definition. Geographer Nick Middleton writes, “Our friend the Oxford English Dictionary has it that a river is ‘a copious natural stream of water flowing in a channel to the sea or a lake, etc.’ This definition serves for many rivers but not for all. Rivers in very cold places do not flow all of the time. Neither do most rivers in deserts.” The truth is, many rivers live and die and are reborn. In this way, a river’s absence can say as much

as its presence: I am here when I am not here. Death is an ephemeral state.

 

Rivers are world-makers, sculptors. A cradle for civilizations past, present, and future. Language, ideas, and art traveling upstream and down. Creative expressions of source and spirit. Pieces of the sky transformed, life bubbling up from the spring. They are threads that weave earth to sea, ropes that bind, natural arteries that tie us to our land. But rivers hold contradictions: they connect and separate all at once. Rivers are borders, boundaries, obstacles between freedom and imprisonment.

 

Spiritually, river water is associated with liminal spaces and expanded states of consciousness. In religious texts, rivers are frequently the birthplace of profound visions, a sacred arena for journey work, for initiating flow, for metamorphosis. They are thresholds, mythic corridors to

lands unknown. Taschen’s Book of Symbols refers to river crossing as “a transition and a metaphor for the possibility of traveling between the mind’s two shores, the conscious and familiar shore and the unconscious and farther shore.” In Greek mythology, the land of the dead

was surrounded by five rivers: Acheron (the river of woe), Cocytus (the river of lamentation), Phlegethon (the river of fire), Lethe (the river of forgetfulness), and Styx (the river of hate). Five rivers, five fingers, five pathways snaking through the underworld.

 

 

In therapy, I talk about the rivers in my body. The one hundred billion tiny rivers of neurons in my brain, the rivers of electricity that allow me to think and walk and breathe and swallow and feel everything so deeply. These are rivers only I can travel, underground rivers, ones that cascade inward. Rivers that coil into themselves, a watery ouroboros. Thoughts on loop, fears that linger. Rivers I want to control, rivers I want to run dry.

 

There are rivers that only certain people access, that only certain souls attempt to explore. Rivers shared between us like redwood tree roots and mycelial ribbons, intertwining in a poetic mycorrhizal dance. Calling out to each other for attention, for sustenance, for healing. These are

sensual rivers of salt and sorrow, of euphoria and ecstasy. They flood like the Nile: a lush over flow, a trail of fertile soil in their wake.

 

And then, of course, there are rivers of blood, ferrying life into and out of my heart. Ancestral rivers, channels brimming with shame and guilt, powerlessness, terror, otherness, Jewishness. Fast-flowing rivers that lead to co-dependency and addiction and mental illness. I look at my

six-year-old and pray that these rivers are shallow in her, that these creeks evaporate with time, with gentle practice. She tells me there is a badness inside of her that she wants to scratch away, and I think about how the word “river” can be traced back to its Proto-Indo-European roots, from *h₁reyp- meaning “to scratch, tear, cut.” I think about how deep inside a river’s undulating, serpentine body there is a fierce, carving force. Rivers can be violent, desperate, can plunge and surge to form waterfalls and whitewater rapids. Rivers are wild and willful. We build our dams but rivers yearn to be free.

 

 

It’s August. I am mostly naked in the emerald water of the Yuba River, feeling the current’s strength as I cling to volcanic basalt and granite, my body pushing up against gravity. The water touching my thighs comes from the crest of the Sierra Nevada, twisting and winding 100 miles,

descending 7000 feet in the process. My shoulders tingle in the afternoon heat. I lift my hand out of the water and watch tiny drops fill with sunlight before they fall off my fingertips. I feel an old longing inside of me rise up. I want to be carried. I want to descend. I want to accept movement, change, impermanence. I think about this river’s patience, its persistence, its wildness. Rivers shape the earth just by showing up, by existing, by finding their way. And I think, for the first time, maybe I can do that, too.

Penobscot Bay
by Holly Willis
Medium: Photography

Penobscot Bay.jpg

Not a Drop to Drink

by Rebecca Brothers

 

The run-off from the strip mine

Trickles into our taps and Sunday communion

We don’t drink wine—

We pass thimbles of purple Kool-Aid

Around with the crackers.

 

This is our land, spilled for coal.

We drink and remember the Company Store

And debts

And then the vacant lot

Where all the coal money was burned.

 

We don’t even look for the hellbenders

Anymore, big slippery salamanders

That chased the crawdads in our creeks.

They were blinded by the orange acid run-off

 

Before the mines ran us off our mountains,

Then laid them flat.

Us flat on our backs, gasping for money,

Without a drop of water that’s fit to drink.

Plunge

by Erin Robertson

 

you plunge in

with a sinuous bend

arms arcing

toes pointed

eyes closed, trusting

 

you hinge smoothly

angle down

into the cool light

graze the rough floor

exhale bubble garlands

a clear, round, sparkling trail

 

glide flat as a ray

flying along

hugged by gentle pressure

on all sides and surfaces

pulled skyward by the

oxygen stored in your own trunk

 

and here you emerge

crown

temple

sleek

breaching

feeding the trees your

spent breath

filling your chest with

another serving of

lightness and air

finally opening your dripping eyes

taking in the light and blue

the shimmering gold

nets of light

 

the smooth permeable edge

between out and under

 

the water already departing your skin

ascending the sky

making the rain

STONE WITH FOSSIL SHELLS
by Stephen Allen

I 
Call it a fetish, a talisman, a charm.
I picked it up, one rock from the beach,

chosen to be skipped away, my arm
crooked back, until I saw the fossils, each

delineated clearly. The sun was warm,
the water calm, all things seemed at peace,

nothing to suggest a hint of harm.
I looked up from the stone and to the sea.
 
II 
It still reminds me of the sea. A spill
of papers, tchotchkes, other talismans

crowds for space upon my desk, but still,
this simple stone finds ways into my hand.

Fingertips may wear away the frills
and curves with time, like oceans on the land,

but that will take some eons. And so, until
I lose it, I’ll enjoy the fruits of chance.
 
III 
On the beach, did it wait for me
for how many thousand years? Or did it wash

up in a storm in recent memory?
New shells still fall beneath the swells and froth

and settle into unseen futures, free
for geology’s rule. The waves will splash

ashore a million years. I will not see
what they will bring or who will meet the crash.

Crazy Water

by Michael White 

 

The only school in our district that had a pool was John Evans Junior High. It was a circle school, meaning that it consisted of “pods” that orbited a center “pod.” This of course led to no end of confusion, but it was designed and built in the 70s when such high ideals seemed innovative and realistic and cool. Now it was just an asbestos filled hulk looking like a nest of alien spaceships smacked down in the middle of a neighborhood full of rotting tract houses that must’ve been pretty fancy in 1965, but now they all seemed from another time, another era, like

John Evans Junior High itself.

 

But the pool.

 

It was a brick outbuilding connected to the gym “pod” by temperamental doors that didn’t always turn easily for my master key. Every night at 11:30 I would head from my office in the middle of nowhere, speeding down the isolated first avenue road while listening to Art Bell’s weird stories about pyramids on Mars.

 

The crickets were still audible, but there was a sharpness to the air, an unsubtle hint as to what was coming. Yet there was also a sliver of summer left too, a heaviness to the sky, which sparkled with stars. It smelled like mown lawns and dead leaves, like fireplace smoke and swamp coolers. It was like being between two worlds.

 

I had been feeling between two worlds lately. Adrift and ambivalent, I struggled to find some kind of emotional perch. I felt such a growing distance from my wife, which I pushed aside as long as I could. It was like every day she grew less familiar to me. And the person that she became was not a person I liked. I told myself, if only I could fall in love with her all over, we could carry on. We had these times before in our 26-year relationship. Every marriage had its dips and valleys, but I had come to the point where nothing short of adultery was a deal breaker. We had invested so much into it; I couldn’t see either of us throwing it away.

 

So, it had disturbed me one night when during dinner, my ten-year-old son said apropos to nothing, “Are you guys going to get a divorce?”

 

I was shocked and reassured him, “No of course not! That will never happen! Why would you ask that?” I looked at my wife for support but her face was blank. He just shrugged. My wife remained silent.

 

Suddenly there was a bright light in my eyes and someone was tapping on my window. It was a cop. I rolled my window down and he looked at me, his expression a question, waiting.

 

“Hi officer. I’m the night foreman for the school district and I’m just making sure my people leave when they’re supposed to. There’s been some monkey business going on...” I trailed off and offered him my school district ID badge. He softened.

 

I could see the crew exiting the school and making their way to their cars, looking my way, watching the police leaning into my side window. I knew they knew it was me. Their boss.

 

“Well, you know I drove by and saw you just sitting here so I had to check it out.”

 

“Oh of course.”

 

“Have a good night.”

 

I watched him walk back to his cruiser and drive away. My heart was pounding from the adrenaline surge. When I finally looked back toward the school the night crew had gone. The parking lot was empty and looked lonely with its row of security lights making bright pools on the asphalt.

 

I walked in circles from “pod” to “pod” in the semi darkness feeling my way having walked this catacomb like stroll a hundred times before. It was like a giant combination lock. So many steps right, so many left and so on. The school was all circles and the classrooms were like pieces of a pie. I had to travel taking right turns or I would end up in a gloomy maze of round brick walls and dingy lockers. But I knew the school well and was used to traveling through dark empty school buildings at night.

 

It was my job.

 

I got to the gym and walked across, my footsteps echoing just like in the movies. The silence was big. The gym had a beautiful round wooden roof, like the roof of some great lodge, the boards of wood latticed into a geometric design that was really out of place for such a weird

funky building. I always made a point of stopping mid gym and appreciating it, communing with it as if it were something sentient, patient, alive.

 

The chlorine smell hit me as I entered the pool, the warm wet air and the hum of the pumps and a gurgle from the edge. I went into the locker room and got ready. I put my clothes in a locker and hung my tie on a hook and put on my trunks. I couldn’t bear to walk on the floor barefoot, but I did anyway. I went to the breaker box and with a flip of a switch I plunged the entire pool building into pitch blackness. It was a darkness that only a windowless room could achieve, a darkness so complete that it voided any sense of direction, time or place. It was a tangible darkness, heavy and claustrophobic.

 

I immediately entered this new world. I felt my way to what I hoped was to the edge of the pool, my heart pounding my senses keen. The sounds of the room seemed intensified; rhythmic and foreboding. I had no way to orient myself. I tentatively stuck my foot out and down and felt water, the edge of the pool.

 

I stepped up, and I jumped.

 

Down down down into the blackest black, completely disoriented. I had no idea what was up or down or sideways. A stab of panic hit me as I touched bottom; I was in the deep end. Twelve feet. I lunged up, my lungs starting to burn, the panic stabbing again, it was taking forever to find the surface. Could I even tell when I came up? Shouldn’t I have come up by now?

 

Then I came up.

 

The room echoing with my heavy breathing.

 

This was my new fall ritual, something I had fallen into by degrees. It was scary and fun and a great way to fine tune my psychic balance. It was also dangerous and foolhardy. But it took my mind off of the uneasy feeling I’ve had lately, and the strong dreams which followed me around like little clouds.

 

In the most recent one, I was looking at my books in the bookcase frantically trying to choose which ones to take with me. I was packing in a hurry, making snap decisions about what to take and what to leave. What to take and what to leave.

 

What did that mean?

 

I would swim in the deep dark, being sure to always keep my arms in front of me so as not to run into the wall. I kept running into it anyway. I couldn’t swim like this for more than fifteen minutes before I had to get out. The psychic energy it took was depleting, and the darkness and the water had a way of pulling at something very deep and familiar and very dark and dangerous in my soul. I was nowhere and everywhere when I was in that pool, alone and hiding in the blackness, the vastness of a universe of dark.

The City

by Diane Funston

 

fit in the palm of her hand

like she owned it.

She wanted to consume the whole area,

swallow the beer

lick the custard

gobble the fish fry.

 

Or, with far less rationally,

suck down the waterfalls

both Genesee and Niagara

drag Wegmans to California to show

them how it’s done

strip naked downtown in the rain.

 

But with a bit more linear thought,

she absorbed the scent of rain

bit into the freshest NY apple

opened her pores to the cleansing humidity

steeped cinnamon sticks in pressed hot cider.

 

After weeping for the past,

and she wept enough lately to fill the Erie Canal—

she remembered her one and only

the fragrance of her year-round garden

her dog’s head asleep on her thigh

the promise of the new puppy

the warm sun on her achy joints.

 

So she reached out

picked up her own small Western town

in the Sacramento Valley

held it to her heart, felt it enter

strong memories unclogged

her arteries of longing

allowing her to bloom freely

without the icy winter of remorse.

Epiphany

By Paul Hostovsky

 

Maybe this is a guy thing but

I had an epiphany the other day

while standing in front of the urinal—

I was peeing and looking straight ahead

at the Do Not Spit Into The Urinal sign

and I was trying to think of the word injunction—

but all I could think of was Thou Shalt Not

and why on earth, and where on earth—

when suddenly, as though without my own permission,

I spat into the urinal—

as though just the thought of spitting,

the merest suggestion of it,

was contagious as a yawn.

And that’s when I remembered (I was still

peeing) what they say about the body

being mostly water,

and what they say about water

always journeying toward itself—fog to mist,

cloudburst to stream,

stream to river and river to sea—

and I thought to myself, there is no

injunction and there is no commandment

that can stop the water from journeying toward itself.

And I spat again, and then I flushed

and walked right out of there with my epiphany

sort of swirling around in my head.

The Ocean’s Edge

by Chrissy Banks

 

And when I no longer knew who I was,

when I was done with circles of thought,

when I was sick of myself and pleased

no-one, I curled up and slept.

 

And in that sleep I was a baby docked

on a hospital shelf, crate for a cot, I was

a baby dropped from the top of a cliff

by a pantomime mother.

 

And in that sleep I was a baby tossed

by waves and a mother under a whale’s spell

swimming for dear life through a sea

of body parts, to save her child.

 

And in that sleep I crossed the sand

in a long white dress. At ocean’s edge,

I sang a shell’s song to my baby girl

as she lay sleeping in my arms.

 

And when I woke I was no longer lost.

A mother and a trembling child, a baby

who’d survived, a woman lined by years,

I was all of these, I knew them all.

Umbrella for Two

by Judy Clarence

 

In Oregon we had no use

for umbrellas. It rained every day,

drizzle that curled

our hair and made us smile.

Umbrellas utilize one hand,

leaving only one for schoolbooks,

bags, a hand to hold

a chocolate bar while scarfing,

to reach for a hanky when the cold

made the nose run “so fast

I can’t keep up with it,” said Leola

as she trudged toward school through the mud.

 

And the thing about umbrellas is:

impossible to share. Try it. Neither

of you is covered. Each girl’s

curls turn curlier, drops

seeping down her neck and under

the white Peter Pan collar.

One spot, and only one, stays dry.

The space between.

A Delicate Balance  
by Kristina Solomita 
Medium: Oil Paint on Wood Panel

Sorrow of the Siren 

by Kristina Solomia 

 

I’m trapped between two worlds, never completely submerged, yet unable to resurface. I linger in the in-between, watching from my secluded cove as fish and humans secure themselves to their halves of existence.

 

I amuse myself by observing the humans who embrace the water without ever becoming part of it. They splash, ride their boats, and don their scuba gear to experience a fraction of my entire life. But at the end of the day, I find myself disconnected from them as they can choose to lift

themselves out and return to dry land.

 

I tried to find a connection with the creatures below. We both adorn fins and scales. We both spend long hours beneath the water. We both exist in a multitude of colors.

 

But they do not think like me. They do not feel like me, cry like me, or yearn for connection like me.

 

I’m living an isolating existence between two worlds. My siren song remains silent as I search for a serenade within myself. An enigma, a myth—let me blend in but never truly belong to either side.

But I Worry

by V. Bray

 

Water is your guide,

the soma instructor says.

Every organ that makes up my body is mostly water,

running up and down my spine,

clearing the lymphatic system,

bathing my tongue in an enclosed hot tub.

 

I imagine blowing up a beach ball:

my cheeks puff out and deflate in a whoosh.

Over time, she says, this will create an opening.

I imagine waves filling the void,

watch how they spread,

how they fill my body with liquid,

meandering like a river with tributaries,

branching blood vessels.

 

But like a river pushing silt across its banks,

the ocean shifting dunes,

a waterfall shaping rock,

how much space will this water carve in me?

 

Will the water wear down my stories,

smooth out their jagged edges,

transform them into gleaming river rock,

and calm the whitecaps

of my stormy waterway?

 

Each day will it condense my stories,

deconstruct them until they are mere pebbles

 

flow over each other into this moment?

Selkie*

by V. Bray 

 

A dark gray seal’s head slips up

through the water, reminding me

of who I really am.

 

My husband, a sturdy farmer, leads me

carefully from the ocean up the rocky beach

back to the cottage where I listen to whispers

sprinkled through the salty mist.

 

My days are hazy,

covered with a caul-like film.

 

I dust to clear my mind

and reach far back into the chimney,

my fingers brush thick, smooth skin

folded and tucked in

between stone crevices,

hidden from memory.

 

As I remember, my grief flows.

I carve images into slate sea cliffs,

drawings of kelp and fish,

reminders of who I am, until my child is grown.

 

I will never again forget where I came from,

all I sacrificed for this house on stilts

where the tide rushes in with the moon

daring me to return to my true home.

 

*Selkie: Mythological beings that can change from seal to human form when they shed their seal skin on the shore. A common selkie tale is about a human man who steals a female selkie’s seal skin and keeps her for his wife. In most tales the selkie finds her seal skin and leaves her human family.

Drought II

by Whitney Waters

 

Every week a new constellation

of rock, stark against the sluggish river,

sky a smudge of haze, elemental

 

peach, and still, I don’t hate these warm days,

this trickle of sweat down my shin, money

in my bank account, most weeks, a perpetual

 

tickle in my throat like a long pull

on a cigarette. The summer we fell in love,

I swam with a woman whose eyes

 

were galaxies. I gripped the frayed rope

knotted around a branch and swung out

above the water’s surface then back

 

to the ground, feet arching toward

a root. I swung once more and then—

release, the river so cold

 

I had to hold my breath to cross

to the opposite bank. Sharp spark

inside my ribs. On her truck’s tailgate,

 

we sipped from bottles, ate soft, funky cheese,

lacey crackers— the fancy kind, while I told her

about you. When she kissed me, her lips were

 

a reservoir. Without the rain,

there is an abundance of sunshine. Like the stars,

I have spent so much energy becoming.

The Waves 

by Kresha Warnock

 

On my seventy-fifth birthday, I am sitting in a guest house in Oregon, looking out over a calm Pacific Ocean. I came here to ask the water to rest

my soul after the pain and 
upheaval of the past year, a year where I have been overwhelmed by the outside world, as human cruelty and violence

envelop the daily news. This morning, I avoid my Twitter feed 
and, instead, watch waves lap up on the beach. I am relatively mellow following days

of 
walking the sandy Oregon shore, breathing the salty air, feeling my leg muscles harden as I trudge through the loose sand, watching the tide

come in and out.

 

 

Calm is fragile. When I arrived, I was alarmed that the instructions in the book for guests began with explicit directions on what to do in case of a

tsunami. “There is only a 
fourteen percent chance that a tsunami will take place in any fifty-year period,” we are reassured, as the image of a

deadly wave crashing across the porch of the little house fills 
my imagination. “Get in your car and drive to higher ground” are the instructions

should 
the ground shake and the mighty wave loom up on the near horizon. Even the power and beauty of the sea are not consistently reliable to

wipe away the legitimate fears and pains 
of the world.
 

 

*
 

 

A few years ago, on a trip to Ireland, this truth was brought home to me. Our first day in Dublin, my husband and I wandered the downtown

streets, no plans except to find 
some fish and chips for lunch. As we walked by the National Gallery of Ireland, I decided we needed to go in. J.M.W.

Turner’s work was on display.


 

Many huge Turner paintings, but I was caught off-guard by a small, grey-toned watercolor, “A Ship Against the Mewstone.” In a stormy sea, a tiny

wooden-masted boat 
is being pushed dangerously close to a desolate rocky island, “the Mewstone,” that sits half a mile from Plymouth Harbor.

The name given the painting would seem to indicate 
that the human story, the possible shipwreck, is the central plot of this dramatic work

and, 
it’s true, the rocky island is higher than the masts of the ship and a danger to the fragile wooden hull and humans aboard. But the powerful

waves, almost black in their glorious 
height, tower over everything else in their white-tipped grandeur. It was the water that this viewer’s eyes

sought out.


 

It was not a soothing painting, but the strength of the portrayal of the magnificent peaks moved me to an emotional depth which I had not

expected to feel. Perhaps its 
power and beauty buffered me a bit as, for the next few days, we focused on the tragic aspects of Ireland’s past,

especially on the years of bitter violence, “The Troubles,” in 
Belfast and the North, as we visited sites of bitter fighting and turmoil and

hatred, 
children killed, communities destroyed.

 

 

Before we flew back home, we traveled to the tip of Northern Ireland, the rim of the Atlantic Ocean, and the Giant’s Causeway. Huge rock cliffs,

large waves, endless sea, 
thousands of birds inhabiting this sacred spot. Legend tells us it was created by a battling giant in the olden times.

Whatever its origin, that day the sun was bright; the sea was 
calm. No shipwrecks in sight. It was good to be reminded of the powerful beauty of

the 
world; I took pictures and hoped to embed this spot in my soul.
 

 

Scientists, philosophers, mystics don’t understand all the ins and outs of human memory, let alone human or supernatural creativity. My belief is

that the process of 
vision, of creation, revelation, will remain holy mysteries, sacred, along with the majesty of the creation. I can capture scraps

on my camera; Turner can create a whole canvas that 
leaves us in awe. In a utilitarian world, there is a desire to attribute value only through 


functionality, but perhaps this beauty, this power is inexplicably just there for us.
 

 

Art and nature are necessary for my emotional survival. This morning in Oregon, as I stare out the window this morning, the surf has become

rougher. The waves are no 
longer “lapping” the shoreline. I can imagine my weak frame being swept out to sea if I had the courage or audacity to

traverse it in a tiny boat. For the moment, I can watch it, 
safe and warm from the upstairs window of the guest house. But by this evening, I’ll be

 

eating cake and ice cream in my own home. I’ll do what I can to make the world a little better for my baby granddaughter, bring peace, end

hatred...and try to keep myself
hopeful with visions of art and the sea.

Annalist

by John Muro

 

From a deserted shoreline,

I watch a moonless sky darken

and regift to the ocean a tapestry

of wind-battered blue bound with

threads of gold as waves press

then unroll it in frenetic shimmer,

wanting to sustain day’s last light

and early evening calm and, some-

times, at moments such as this, I

become the vessel that holds the

hour’s transitory splendor, making

note of the weight of salted air

and the pungent fragrance rising

from thickset hedges of privet,

the hurtle and melodic falter of

the tides, and the delirious spirals

of swallows at dusk, wanting to

help each of them find their way

into memory and word.

 

                         ~

Balm of Water

by Nancy Haskett

 

I.

Twice a month

during those unbearably hot

humid weeks of summer,

they come together —

on a day when house slaves are occupied with cleaning

and field slaves toil a mile away —

they walk slowly as a group of three,

fanning themselves, laughing, talking

until they reach the secluded spot,

the deep pool surrounded by trees,

where delicate white hands

untie hat ribbons,

remove lace gloves,

slip off dainty shoes,

unbutton dresses,

unlace stiff boned corsets,

pull off thin cotton undergarments

until they stand naked

unashamed,

slip one by one into cool water,

freed at last

from all restraints

 

II.

Every evening

after the children are asleep,

when the men lay snoring,

the two women put down their sewing,

blow out the candle,

sneak from the cabin,

brown bare feet silent on rough boards,

the packed dirt path down to the river

familiar in darkness,

they follow each other in silence

to the shallow banks,

pull the coarse, unbleached cotton dresses

over their heads,

step over smooth, polished rocks

until they reach the water,

walk without hesitation,

dip down to immerse themselves

into their only feeling 

of total freedom

Driving California’s Route 1

by Tom Laughlin

 

The sun hangs above

the Pacific’s muscular waves

rolling onto seal-flecked beaches

tapping rhythmically at limestone cliffs.

Out beyond the roaring waves of white

sea birds circle and dive

piercing a rippled patch of ocean

until a dark yawn breaks the surface

scattering the wings upward

then slowly shuts its great lipped maw

and slips back

beneath the roiling surface again.

 

The sun hangs above

hairpins and cliff edges

that have carved this country’s coast since 1934

with Roadsters, Woodies, Cadillacs,

Corvettes, campers

and tractor trailers of produce

from family farms to co-ops

to corporations—

their inland valleys now miles of watered green corduroy

rowed and picked by migrant workers—

while hawks and vultures circle

higher and higher.

 

Beside the great Pacific

the sun hangs above

scorched brown hills scratched with dusty roads

and tired fence posts that lean and twist.

Bridges rumble over snaking sandy beds

that have forgotten their watery names.

In one blanched field

where yellowed boulders of displeasure

seem dropped by angry gods

a lone black steer has bowed his head in shame

muzzle nudging the earth

Searching

Searching

The Last Iceberg

by Patricia Behrens

 

Once, flying the polar route from France

I stared at a North Atlantic chock-a-block with ice,

imagining watchmen pacing decks, wary of icebergs,

of being struck like the Titanic, the icy shock of it.

 

You had a name then: the Polar Ice Cap.

You’d calved a million icebergs,

released them to ride the Labrador Current

to the Great Banks before the shrinking,

before the final tug from your tethering.

 

Blue-white opacity,

just building-tall now,

your shaded overhang

suggests a small door

that might allow us back

to the cold world

glittering in your depths

before you were left

to drift idly

in enemy heat.

Little Feet 

by Kimberly Reiss

 

When I was 4 years old, I went to a day-care center where we had art classes with oversized paper and lots of gloppy primary-colored paint,

gymnastics where we practiced tucking our tiny 
heads and rolling, and swim lessons that took place in an enormous sectioned-off part of a

heavily
 chlorinated pool, that in mind, looked like it went on forever. I loved all my classes, but loved being in the water best. The weightlessness

and ease with which I could twist and turn and 
flip my body brought me utter delight. I was in my own magical kingdom when under the water’s

surface. Because we were so little (and maybe because things just weren’t as safe then as 
they are now) there was a trampoline-like structure in

the pool that served as an artificial floor 
beneath the deeper water, allowing the kids to safely stand. I was intrigued and distracted by what was

underneath the structure, and instead of focusing on the doggie-paddle, I spent most of 
my time investigating the trampoline structure. When I

realized that I could sneak underneath it 
at one of the trampoline’s corners, I waited for just the right moment when my instructor was occupied,

took in an enormous breath, and down I went. I swam like a tadpole to the deep end, 
taking me farther away from my corner. When I looked up, I

could see the indentations of the 
little feet of my classmates above me on the trampoline’s surface. It looked like an oversized stretchy

marshmallow. Soon though, I started running out of breath, and all I could see was the 
trampoline above and water below. My little brain

registered utter terror. I had no idea how to get 
back to my trusted corner and up to the water’s surface. It felt as though my heart would pop right

out of my chest. I raced towards what I hoped was the side of the pool, which is was, then 
keeping one hand on the hard surface of the side, I swam

until I felt a corner. I looked up and 
could see light! Using my arms and legs, I pushed and pushed against the water until my head finally popped

up. I gasped for air, stood on firm ground and wiped the water from my eyes so I 
could see clearly. I looked at all the kids doggie-paddling and

heard my instructor,
Good job everyone, keep your heads above the water and circle your hands in front of you like you’re a dog digging in the dirt

for a bone
. It seemed like my instructor and classmates didn’t even notice that I had been gone. It was as if time had stopped while I was under the

water. Did it?

To Be Ocean Water

by Jackie McClure

 

I am needle-sharp cold,

silver darts on impact.

I am transparent.

You may think

I am blue

or green

or gray to match the fog

I sometimes

allow to hover

just above my skin

but

my surface defines reflection,

tantalizes the sun,

that wary weasel,

always trying to sneak

its steaming swords into my skin.

Glinting does no good,

underneath my salt, my mirror,

my movement,

I am

in cahoots with the moon.

We rise,

we pull,

we conduct

a swelling symphony

and we create the rules.

 

I lick,

I make a rhythm

with my licking

that the world

must follow.

I whisper to the rock,

my rhythm running

over:

come with me,

let us make sand.

The Consciousness of Sandstone

by Jackie McClure

 

If I were to write of my own cave

it would be a sandstone undercut

 

hollowed by the repetition of

rapid generations of water,

 

salted with a rhythmic spray.

Circular imprints from the repeated

 

splash after splash have softened

a pattern, defying probability

 

that single drops of water could meet

a surface, then rise and spray

 

with enough repetitive exactness

to melt a single hole in stone.

 

Some areas of this hollow

rarely see sun, some areas

 

rarely breathe air, all of them

recurrently know water.

 

Water sometimes fills this cave,

leaving but a slim hand

 

to connect it to the earth.

The clawing hold on land

 

is a lingering need to believe

the history that deposits itself

 

and decomposes layers of densely packed

needles to create a home

 

for parasitic plants who push themselves, ghostly,

waxlike, from the lives of cedar, hemlock, fir.

 

Lower down, lapping swallows

the inner walls of what it means

 

to live a life of rhythm:

knowing fullness - measured through a motion

 

where the floors and walls cup,

and living barnacles sigh and open

 

their tongues to lick

the undersides of waves;

 

knowing emptiness - sun crystallizes

salted vestiges of tidal action

 

closing the crust on fast-clung

barnacles. Emptiness is not only

 

a residue, it links the hollow

irrevocably to a land losing

 

ground and longs to taste the

taking on of water from all sides.

The Traveller

by Deborah Blenkhorn

*An homage to Percy Bysshe Shelley’s “Ozymandias” (1817)

 

I was a traveller who gazed at an island.

Pronounced it vast--a rust red stone

that crumbled ‘cross the strait to make this sand.

I sank my face into the sea, far down,

and smiled as ocean currents fanned

the tendrils swirling o’er the warm sea bed

and hid the underwater things

my soul caressed as rough wounds bled.

And on the beach these written words were clear:

Summer lasts forever! Nature sings!

Listen to your heart! And don’t despair!

Then came the rains. Around the bay

I could not see what was no longer there,

the sand and sea a memory away.

When The Flood Comes

by Gerrie Paino

Medium: Photography

When_the_Flood_Comes_-_By_Gerrie_Paino.jpg

Mermaid Memory

by Cynthia Gallaher

 

About to succumb to anesthesia,

I asked my surgeon,

“Instead of replacing my knees,

can you reinstall fins instead?”

 

“Or give me back that one svelte

mermaid’s tail from the hips down?”

He looked puzzled, I fading to black,

10-9-8-7...

 

And now, once again, I’m underwater,

mid-ocean, chasing eels and dolphins,

coming up for air

every few minutes.

 

Who was the who — who captured me,

placed me in that earthly ovum

years ago, to arise

in this place that

 

Dried out my scales,

turned my flippers into flat feet

to walk crooked and cranky

on moggled terrain.

 

Only feeling like the one-that-got-away

in snorkel and swimsuit,

admiring my favorite patterns

as they whirl beneath me,

 

Multicolor mosaic pool tiles,

and wavy French-kissed

reflections between sun

and water.

 

Pulling myself out to the edge,

where gravity reigns

and years that drag down

once-fertile organs and supple joints,

 

That I instinctively battle

as I swivel fiercely upstream,

more often now than not, in shallow rivers,

that no longer tributary into endless sea.

Feeding the fishes

by DS Maolalai

 

a day on a close coast

and sealife safari,

surrounded tourists,

by children

of tourists, by sea-

gulls and chirruping

dolphins. I feel the boat

tipping, am sick

off the side —

a thunder of organs

exploding like crabs

dropped in traffic.

my companions

expect this from one

of our number;

we spent the night

drinking, and poking

at cards — I admit,

I'm ashamed, though,

to learn that it’s me

who gives over. I look

at them sheepishly,

wiping my mouth.

the prow takes a tip

toward some sunbathing puffins,

and the captain makes cracks

about finally feeding

the fish. weakly

I smile, tilt my face

to the wind

and cold currents.

focus on looking

at nothing.

My Friend, Pacific

by Cleo Griffith

 

There are not a lot

of oceans

in my life, not a lot

I know personally.

 

Two.

Well, the Atlantic

is more an acquaintance.

The Pacific is a friend.

 

My home-town lake, Chelan,

joins the river Columbia,

to mix with the ocean Pacific.

 

First ocean adventures:

Oregon coast, rocky,

agates, fossils, high school,

college.

 

California delights,

Santa Cruz, Monterey,

lovers’ point at Pacific Grove,

sea lions, with husband.

 

So many years of waves,

sand, tide pools, cameras,

children, growth.

 

Wonderful hugeness,

impressive strength,

calming murmurs,

friend, Pacific.

Drums of Thunder 

by Cleo Griffith

 

Feel the surge, the drums of thunder,

melancholy syncopation of the rain,

frantic pulse of every small beasts’ heartbeat

under roiling skies of threatening hue.

 

Nature shows how green is made to tremble,

how azure streams are churned to muddy brown,

hail will trample crosswise over young grass,

early flowerings laid to ground again.

 

Trembling rugged redwoods yet stand sturdy,

centuries of this have ringed their girth,

though tumultuous day be dark as caves,

there is a kind of understanding through.

 

This is un-plotted, earth’s own ancient story,

violence undirected, explosion quite unplanned,

later the undone will bind itself, renew...

unexpected discipline educating man.

River 

by Ron Wetherington

 

“Eventually, all things merge into one, and a river runs through it.”

 - Norman Maclean

 

It began with tiny springs seeping upward through deep conduits in the crust. Separated in their several valleys by folded ridges, these small

capillaries braided their way down slopes. 
Joining others from obscure origins, these became minor brooks. They converged one by one and

gained momentum, answering the pull of gravity, gathering energy in a focused direction 
southward as if beseeched. It happened just over three

million years ago, over a time too long 
to witness.

 

The several brooks joined as creeks, the creeks as streams to be named by cartographers millions of years later. But eventually, all things merge

into one: as tectonic forces lifted 
nearby mountains, the coursing waters congregated, cutting a single channel through volcanic rock at a

relentless rate of a few stubborn centimeters a century, and a river was born in what is 
now southern Colorado.


 

We know it as the Rio Grande—the Great River—given its name by 16th century Spanish explorers awed by its power and daunted by its role in

curbing passage: the great boundary-
keeper. I have crossed it, dipped into its frigid waters. It doubles its volume as it leaves its origin in the San

Juan Mountains and receives the flow of New Mexico’s Red River at Questa. 
Here it cuts deep into basalt, becoming a canyon with depths of 800

feet. I have descended into 
that canyon, following an ancient path, reading the petroglyphs pecked into basalt a thousand years ago down there at

the river’s edge. The ancients must have been gripped by its power,


transcribing it in sacred images, telling stories.


Both the rise of the Sangre de Cristo mountains to its east and the subsiding volcanic plateau through which it slices increased its rate of flow and

cut a wider gorge at Taos, a 
quarter mile across. The passage intimidated westward wagons two centuries back. I could not have breached it, then,

but I have rafted its white waters through Pilar, striking hard against the 
rocks beneath the rapids, struggling in captive terror, jubilant at each

small victory. The 
memory of those waters still electrifies and haunts me.


The great river exits its mountain course at Velarde, entering the high scrub at Santa Fe and slowly exhaling toward the dry basin of the Jornada

del Muerto
beyond Albuquerque. At El Paso it was called Rio Bravo, where the Camino Real guided passage across the boundary between Old

Mexico and New, the 18th century
caretas creaking with trade goods outbound from Santa Fe and then returning. My imagination has taken me

there, trudging beside the yoked oxen over the white desert.


Beyond El Paso it slices and twists through majestic limestone canyons at Big Bend. But the river is gentler here. I have crossed it on burro to visit

Boquillas del Carmen, the row of 
Mexican adobes on a spit of land across the river. I remember a chained black bear outside a dusty tienda,

drinking from a bottled cola which cost me a few pesos.


Beyond the last bend, the river broadens and straightens its course and becomes navigable through Brownsville, Texas. Steamboats plied its

waters in the 1850s. I have crossed 
the bridge there, into Tamaulipas, towards Victoria.


And here, at last, the Great River exhausts its energy, dispersing its identity into the Gulf of Mexico and disappearing. Only a fifth of its original

content makes it this far. Evaporation 
and irrigation ditches and city extraction siphon most of it along its 1,900 miles. The loss is continuing. In

Las Cruces, where the Chihuahua Desert creeps across the border and the
Jornada 
begins, not an ounce now flows in the Rio Grande after the

growing season in September. The river used to run through it all year.


One does not think of a river as ever dying.


Most of the important events in any life are accidental, but some are not, and a river’s life is like that. I am haunted by its waters, still.

Heavy Weather Downtown

by William Doreski

 

The hot afternoon is drooping.

Storms clench big fists to pummel

insensate landscapes senseless.

We perch downtown by the river

and drink coffee from a polished

insulated aluminum mug

tough as a miniature casket.

 

Summer arrives next week to apply

its evil temper to every object

and drain the fluids from the human

brazen enough to embrace it.

We’re simple organic engines,

but we plaster ourselves in myth

and legend, preferring deities

 

to our meaty and practical selves.

The storms will apply a discipline

some will enjoy and others fear.

Whiplash of lightning, leather

of cloud, thunder bleating with pain.

We’re still drinking our coffee

when the first tickle of rain occurs.

 

We duck under cover and watch

a wall of water harshen past,

the parking lot suddenly flooded.

We praise the rain on behalf

of gardens flimsy with thirst

and hope the lightning doesn’t

unzip and reveal our secrets.

How I Always Picture You Drowning at Sea 

After The Mermaid You Left Me For Dumps You

by Juleigh Howard-Hobson

 

Let the water be cold and the wind sharp.

Let the sky be grey, cloud hung and heavy.

Let waves come crashing down, again, again,

again pushing you under into dark

bottomlessness. May the breath sucking sea

pull you almost deeper than your lungs can

stand. May you rise up, gasping and clutching

in wet frigid air. May there be nothing

to grasp at, nothing to reach for, may your

feet dance deep, frantically, never touching

base, may your cries be merely numb mouthings

of blue lips. Let your clothes become water

logged, let them weigh you down slow, while your hair

floats behind you. May you sink well aware.

Hydros 

by Juleigh Howard-Hobson

 

Find me in ever expanding circles

and every drop itself. I am rain, I

am cloud. I am all that is fresh, blue, wet,

lifegiving. I fill the secret sinkholes

below the city. I am earthbound, sky

held. I am puddled. I am dammed. I let

all that is green and primal soak me up.

I draw myself across and through the earth,

saturating as I join aquifers

unseen but well tapped. In hands, curl-cupped

to taste me, I pool, my reflected girth

a ball of liquid self, leaving when thirst

or evaporation take all they can

of me as I cycle around again.

Sealight (X)
by JC Alfier 
Medium: Collage

Sealight_X.jpg

Awaiting Odysseus 

by JC Alfier 

Medium: Collage

Awaiting_Odysseus.jpg

My Surgeon at the Pool

by Kate Hendry

 

He was swimming breast stroke —

of course — his technique elegant,

ankles meeting briefly at the end

 

of every stroke. Like a blade,

sun slanted through the glass roof

onto my lane. I switched to front crawl,

 

and overtook him. Underwater,

I saw the tuft of auburn hair

in the centre of his chest.

 

His blue cotton trunks,

slashed with cross-stitched stars,

billowed each time he tucked in his heels.

 

A threadbare pocket turned inside-out

and spilled the remains of a tissue

downstream, like scrapings of my skin.

The sea in your palm

by Laurence Levy-Atkinson

 

The sea in your palm like sugar in rain,

Light enough to hold.

There is so much water on the world.

It is in the air, your body, your fuel,

 

The limb and spine of plants;

The highways between continents

Are made of it.

And there is a crush depth too.

 

A tipping point where too much of it

Will break you and collapse you into yourself.

It can be expressed as a formula,

An equation to prove how much pressure you can take.

 

Yes, you have your limits.

Yes, you do well to ignore them.

Yes, there is a moment where the weight

Of the water you so sweetly

 

Hold in your palm

Becomes too heavy to swim through

And will break you

And will never give you back.

Drinking Wasp

by Devon Neal 

 

Here is something to miss

about summer: by the outside

cat bowl, water ribboned

with grass, a red wasp,

its body like crimson beads,

perches on its edge,

gathering crystal drops

with its whisker limbs

in the wet sunlit afternoon

of late August.

Nasty 

by Devon Neal

 

is the word we use for this morning

where, under the still-black sky,

thin sheets of catclaw rain

tatter in the nervous wind,

covering every surface in dripping cold.

It crawls under the edges of your collar,

combing your hair behind your ear.

It’s the same word we use to describe

some secret of a creature squirming

between the wet joins of forest rocks,

a throbbing life in an impossible place.

Beach 

by Jenny Liu

 

The shadow of a seagull flying overhead strikes me for a minute. It is just like a movie as commanded by a cinematographer. A wave cresting much too high, and the lone surfer at the top, who waits to be delivered safely to shore seems to stop my entire being. It is the unseen and the imagination, at once together. Do you understand what I’m saying? Like sands blowing across a desert, above sheltered snakes. Like sands through the hourglass being the days of our lives. You know what it means to build a sandcastle with nothing but plastic. You know what it means to live in it, the same way people say about beds and lying in them. Difference the breeze. Cool, salty. And how shooting the shit and spouting philosophy feels so good and right that even my striped umbrella has to agree, what with its canvas stretched taut like the skin over my knees as I clutch them to my chest and set the flat of a notebook atop. I am and was speaking to no one, but I see my loves run toward me. I see the gleam of their teeth calling my name and their shoulders blushing sunkissed, and I’m raising the rim of my hat now, raising a hand to secure it to my head. I’m rising like the lone surfer. I wave, and there I am, delivered safely at last.

Love Surfaces

by Michael Barbato-Dunn

 

The first class had begun by the time Dionivus swam in. Master Marinus, bobbing at the podium in the lower bowl, spied him. “Nice of you to

finally join us.”


“Apologies, master,” he replied, feeling the eyes of his classmates upon him.


A maiden to his right grinned at him. Dionivus glanced toward her and offered a sheepish smile.


Marinus resumed his lecture. “Over the next twelve weeks, you will learn how to act like a human being. Yes, they are a crass and vulgar race. But

to preserve Atlantis, it is imperative to 
have merfolk living among them to monitor how they pollute our oceans. Only with such knowledge can we

adapt our ecosystem to ensure survival. Those transformed will be revered as 
heroes…”


Dionivus's attention wandered, and he found himself looking back at the maiden. Her skin reflected a rich aqua hue, as did her eyes. The scales of

her monofin shimmered in the sunlight 
like gold. Fire-red hair swirled around her. She was... the word ‘beautiful’ didn’t seem sufficient.



An appropriate descriptor came to him, though it was a phrase used more often, ironically, by humans: breath-taking.


 

#


As the class ended, he summoned the courage to speak with her. “I am Dionivus.”


“I know that,” she laughed. “You just made quite the entrance.”


Blushing, he struggled to respond. She broke the awkward pause. “I am Nimiane. Best you are not tardy again. I hear Master Marinus has little

tolerance for such antics.” Her flowing hair 
obscured a slight smile.


“Trust me, with you as a classmate, I will never be late again.” He saw her smile widen. “May I...escort you home?”


“I’d be pleased,” she replied, offering her hand. A school of butterfish watched and chattered as the two swam off, their flukes beating in unison.


 

#


“The key to acting human,” Marinus explained in the second week, “is to be self-centered. They place individual needs above the greater good,

while merfolk always prioritize community. 
Avarice, wrath, envy: these are the domain of the humans.”


The instructor swam forward to make his point. “As distasteful as it may be, for the remainder of this class we will focus on learning how to act as

a perfectly selfish creature.”


Dionivus and Nimiane, floating side-by-side, their fins touching, shuddered as one. Marinus spotted the reaction and called to them. “You two

seem quite the couple. Let’s try some role-
playing. Nimiane and Dionivus, pretend you are married humans. Improvise a moment.”


The other classmates turned to watch. Nimiane grinned and, without hesitation, launched into a scene.


“Husband, can you prepare dinner this evening? I am interested in spending time with friends.”


Dionivus recalled Marinus’s lesson on human men. “No, wife. I cannot, for I must watch a sporting event.”


“There is old food in the kitchen,” Nimiane replied. “That is how you will dine tonight. Goodbye, husband.” And then she kissed him.


Their classmates offered rapturous applause. Marinus undulated at the front of the class. “Well, the dialogue needs work, but I think you captured

the essence. A good start.”


 

#


Each day he escorted Nimiane home, holding her hand as they swam through the tubular channels that crisscrossed downtown Atlantis. But at the

start of the tenth week, she pulled away. 
“Thank you, Dionivus, but I will travel alone.”


“Nimiane, it is my pleasure…”


“No. We cannot stay so close.”


“But... but why? I thought you felt…”


“I do feel that way.”


“Then what is it?”


“Can’t you see? In a few weeks, the class will end, and we’ll learn which of our group will be transformed into humans to live above. One of us may

be selected, and the other may not. Then 
we will never be together again.”


She embraced him, and amid the currents of the deep ocean he felt warm tears on his shoulder. “It is better that we part now,” she whispered,

then swam away.


Dionivus, dizzy, grasped for a nearby railing, lest he sink to the ocean floor.


 

#


Marinus started the final class with a bit of levity. “These are called bathing suits.” He held up two pieces of human clothing. “The small piece is

for males, the larger for women. Humans, it 
seems, are embarrassed by their bodies and feel the need to wear clothing when they swim.”


Laughter erupted.


Dionivus, somber since the breakup, feigned a smile and stole glances at Nimiane, who hovered at the far end of the chamber. She avoided his

gaze.


Marinus put down the bathing suits, and his tone turned serious. “You have all done well in the twelve weeks of acting class. Tomorrow, we will

announce which of you will be selected to live 
among the humans. Please gather at the appointed hour.”


 

#


The next morning anxiety hung in the waters thick as kelp as the students swam in. Dionivus rushed to reach Nimiane as she entered.


“Nimiane, wait. I have a plan. If one of us is chosen and the other not, we will flee together. We will leave Atlantis and make our lives together in a

remote ocean!”


She cupped his cheek. “Oh, sweet Dionivus. Wouldn’t that make us as selfish as a human?” She turned and swam into the classroom.


Dionivus followed, arriving just as Marinus began reading out names.


 

#


The summer heat beat down on Daniel as he hoisted the twins from the minivan. Naomi lifted the hatchback and grabbed two bags of groceries.


“Can we go swimming now?” Kaley and Grant shouted, almost in unison. “Can we? Can we?”


“You bet!” Daniel told them. “Race you to the pool!” He stripped off his shirt and began running toward the backyard fence.


“Wait, Daddy! You need a bathing suit!” Kaley shouted, clutching her Ariel doll.


Naomi’s aqua eyes gleamed. “Kaley’s right, husband!” She winked at him.


Daniel returned to his wife and took the bags from her hands. “Go swim with them,” he said, returning the wink. “I’ll make dinner tonight.”

Anadromous 

by Zach Murphy 

 

Elliott crouches atop a jagged rock on the shore of the river, spine contorting like a tree branch, skin wrinkled like a fallen fig, his weathered eyes

 

squinting at a run of salmon as they swim upstream and launch their slippery bodies toward a crashing waterfall. He admires their

 

ceaseless tenacity, their magnificent hearts, their silver scales glistening in the sunlight. The frigid wind whips through his beard, the color of

 

sand, as the river water splashes his freckled cheeks. His dark blue veins are a map of where he’s been, where he’s going, and where he went

 

wrong. Mosquito bites and scratch marks paint his arms and legs, but he feels alive. So alive. He takes a deep breath, lunges into the river, and

 

submerges his head beneath the ice-cold water. He looks around and sees stones that have known the river longer than him. He sees his mother’s

 

green eyes in the floating bubbles. He hears his father’s angry roar amidst the rushing water. He hears the silence of the son he always dreamt

 

about but never had. He ascends back up through the river’s surface and exhales everything he’d kept locked up in his brain and in his bones. His

 

salty tears disappear into his soaked skin. He smiles the widest smile he’s ever smiled, his teeth — abandoned shells. The river feels like home.

 

Like home. The salmon swim past him in a frenzy. He looks toward the waterfall and follows behind the salmon, his magnificent heart leaping

 

from his chest.

gave her a song

by Linda Crate

 

down in the creek

i stood on the stones,

watched as the trees

swayed in a slight summer

breeze;

 

the creek washed away all

of my worries and all of my pain—

 

every anger was swept

away in a current

far away from me,

 

maybe the reason the ocean

is so salty is because she

carries all the brine and cutting

barnacles of a world that isn’t

always fair, just, or kind;

 

so when she rages she is carrying

a thousand swords of wrath—

 

but i have found if you are kind

to the ocean,

she’ll be kind to you;

 

i once sang her a song and she

didn't knock me over in her waves that day.

Domestication of the Transient Mermaid

by Sara Santistevan 

 

Overnight, a mermaid appeared swimming in the waterfall fountain at South Coast Plaza. She’s fished up all the pennies and made herself a

copper crown out of them. She wears a necklace of 
nickels and bracelets of dimes. The jewelry shimmers, but dully in the breathtaking gleam of

her 
tail. When she emerges from the water, the shoppers rush past, scuffing their polished leather Oxford shoes and imported pearls. They avert

their gazes and their overflowing wallets, 
pretending not to notice or care about her presence. But she doesn’t care. Until a man reaches out to

caress her iridescent scales, so she hisses, baring her iridium fangs. The security guards escort 
the man for ruining the fountain with his blood,

and the mermaid is relocated to the manatee 
exhibit at SeaWorld. Every night, she reflects as an eternally rotating group of children on field trips

watch her from the other side of the tank. Every night, her pupils dilate as the lights turn off 
and the children fall asleep, all wrapped up in their

unadorned sleeping bags. Every night, she 
envies their freedom.

At Red Willow Canyon Mouth*

by Sara Santistevan 

(A Sestina)

 

Red Willow leaves cry out to a sapphire future,

urging my search for the birthstone earrings you gifted me.

Because I lost them in the heat of springtime, daddy,

and even as spring falls asleep, I still can’t forgive myself for it.

In the dark, I envision jeweled fragments, reflecting in the sea

of my mind. I dive for them, until I am drowned, and happy.

 

Travolta smile bright, Trejo eyes olive and happy—

impressions of you I preserve in brine for future

binges. My musing diagnoses of you run sea

deep. Your daylight, a mythos that haunts me

like La Llorona outside my moonlit window; it

hurts like ghost cysts twisting my guts, daddy.

 

I’m sorry. I don’t want to remember this either, daddy—

although Mom explained your illness made you seldom happy,

I am snake-bellied and Malintzin-cursed to admit it.

To remember your shadow-born rages could shake the future;

to diagnose how they stamped a fear deep within me,

quivering like mist, rolling in thin from the sea.

 

The summer after your departure, we visited the sea

wrote letters, secured on shiny balloon strings, labeled “daddy.”

When the balloons drifted toward you, Mom had to uphold me;

grief refused to fuse me into a desired new you: happy,

unscathed. Reverse lightning silhouetted my foresight of a future

sugar addiction: a ghostly inheritance, but none want to claim it.

 

In the second year without you, we visited your hometown. It

snowed for you. The land on grandma’s house was a white sea

of lacking so vast the horizon projected that present’s future.

In your childhood home, I conjured you by the name “daddy.”

When I grew older, I wanted badly to belong; you weren’t happy

I abandoned that name; like all teens, lineage embarrassed me.

 

Now, our birth from the Tiwa and their red willow inspires me.

The Rio Grande ends so close to your old home; it isn’t a sea,                                                                                 

but the Spanish still crossed it, then tried to destroy a happy

People. How could this violence birth our polysemy? Even so, it

can’t destroy my idealism; when autumn returns gifting freshly reddened leaves, Daddy,

I’ll pray you and Red Willow Canyon Mouth live on in an untouched and healed future.


*The title of this sestina is the rough English translation of the formal and ceremonial tribal name of the Taos Pueblo (ȉałopháymųp’ȍhə́othə̀olbo)

Needing to Go 

by Laurence Levy-Atkinson

 

One summer, my cat stopped peeing. He wasn’t stressed about it, didn’t bother anyone, didn’t make a scene. He was so relaxed that it took me a

while to notice the litter trays were 
empty. It was one of those once-in-a-decade summers with too much heat and sun and everyone prayed for

the rain but when it came, there was too much of it. Way too much. The news 
started to report about the dams hitting their overflow thresholds

around the time I noticed 
my cat had stopped peeing. There was a nice symmetry there about waterlines being reached in unison but I was too

concerned about him to notice.


Google told me more than a day was worrying and it must’ve been more than a day, even if he didn’t look worried. While I phoned the vet and

explained the situation, he walked 
circles in the living room in a patch of light and slept and I could’ve sworn he was happier than I’ve ever seen

him.

 


The vet told me the same thing Google did until I told them it might’ve actually been two days by then. They told me to bring him in. I said he

seemed fine and they said it didn’t 
matter. I agreed. When I got his carrier out though, the way he rolled around on the carpet made me feel like I

must be missing something.


I checked the litter trays again and knelt down and looked closely, got my face right in there. The rain had splashed through the window and

dampened some of it or maybe it was 
just the humidity attracted to the recycled paper. It was a once-in-a-hundred-years La Niña summer so the

air was sticky with moisture. Or maybe he’d just gone while I wasn’t looking, 
probably in the night while I was asleep. That’s what I told myself.


48 hours was scary but strangely, half a week was easy. I didn’t take him to the vet and he didn’t seem like he needed it. He walked back and forth

on my lap and nuzzled me 
while we watched the news and saw all the evacuations and towns cut off by the flood waters. He balanced on my legs

and tried to get my attention; a bit more symmetry — the news was 
showing residents stuck on their own rooftops, waving towels to attract

rescuers.


The litter trays stayed damp but not damp enough to be pee. The rain beat on and I didn’t close the windows. The spray kept making its way inside

and running down the wall 
towards the cat litter and by the end of the week, I began to convince myself that it was him all along. The rain couldn’t

account for the wetness in there, only he could. I was just missing 
it. It was the only thing that made sense.


Halfway through the second week I decided to get a mobile vet out. It was hard to find one at first because they were reluctant to travel in that kind

of weather; so many roads 
were closed and buildings that still had power got less common each day. When I finally got one, it was the end of the

second week. A fortnight at the least since he’d peed.


The vet felt his bladder, took his temperature, looked at me like I was crazy. Maybe I was, although I very much doubted it. His bladder doesn’t feel

full, they told me. He might 
just be going somewhere else and you haven’t found it yet. I told them they were right, thanks for making the trip. I

saw them out and they clung to the side of the building to avoid 
getting swept away. Buildings were islands by that point.


I watched my cat closely and waited and he was genuinely happy, totally fine. Probably enjoyed the attention. And he didn’t pee and it didn’t stop

raining. The towns that 
were drowned in the hinterland and along the coast didn’t get a reprieve because the water slowed for a few days but then

came back harder than before. No-one knew why. The 
meteorologists fell over themselves trying to explain how a once-in-a-thousand-year event

could happen twice in a month and no-one listened and no-one had anyone to blame.


Though I suspect that’s because they didn’t have my cat. He started retaining water at the same time the earth did and both kept filling without an

end to come. It was all that made 
sense. Which also explained why, when I figured it out, he started avoiding me. I didn’t see him in the day and in

the night the waters rose into the first floor of our building. My 
neighbours started leaving; by all rights I should have left with them. I didn’t

though. There 
was no point by then.


I heard them splashing around the stairwell, dragging their possessions through the brown water and shouting. They weren’t sad, they were very,

very angry. They kicked doors 
open on their way out and didn’t mind denting the walls either. More people with no-one to blame.


If they’d known what I knew, they would have burned my cat in prayer and offering. That’s what people used to do. Maybe I was supposed to.

Maybe I should. It’s something I 
wondered many times as I made my preparations and got together all the things I required.


Or maybe he just didn’t need to go.

A Picture Taken At Morrison Creek 2008

by Tim Moder

 

An Egret wades in swollen tides, as rising sighs serenade

revolving ankle-flies. Primrose stitch threads of distracted light

through hills of cedar. Weasels hide in driftwood bleached, and

gobs of peat from bogs that dried themselves to sleep in summer.

 

Marbled rocks maroon on poison ivy paths. A Superman towel

hangs on barbed wire fencing. Woodpecker, stink bug, whippoorwill.

Water beetles, muskrat, lichen, spore. Ladybugs on four-leaf clover.

A collie grins a mouth of picnic lunch. Gulls don’t see the earth as

 

separate from the sky. Neither do I. At the seawall footprints are

invasive species, their uninvited edges postcards. Dense embarrassed

sand births sun-bleached plastic bottles, cotton candy dowsing rods,

a child’s doll with pollen-wetted eyes.

Self-portrait as the water cycle

by Karen Grace Soans

 

“Art is long, and Time is fleeting”

 - H.W. Longfellow

 

in this brief breath

            I strive for peace

aim to be as generous as water

            taking up space as offered

holding space for every story

            from the hidden spring

to the sedimenting river

            to the repeating sea

to the living ocean

            our mother in perpetuity

nourishing endlessly

            quenching thirst and fire

till I am volatilized to vapor

            diffused between atmospheres

always returning to the soil.

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